Kaine Merch Sale! Merchandise from as low as £2!

We’ve dropped all our merch prices to £10 and below to coincide with Bandcamp dropping their fees for items sold on their site for 1 day only! That means in some cases you can get our merch for anything as low as £2-3! We’re also offering all our digital albums for £1.

There are less than 100 of most of the items here so please feel free to grab them while they are affordable.

  • The Waystone Patch – £2
  • Kaine X Shirts – £3
  • The Waystone + Justice, Injustice CD – £5
  • A Crisis of Faith CD [UK] – £5
  • A Crisis of Faith CD [EU] – £5
  • A Crisis of Faith LIVE CD – £5
  • A Crisis of Faith T-Shirt – £5
  • Reforge The Steel CD – £8
  • A Crisis of Faith Vinyl – £10
  • X Double Live Album CD – £10
  • X Double Live Album DVD – £10

All digital downloads £1
+ One Free Download for anyone currently unwell or in isolation

Order Here – https://kaine.bandcamp.com/merch

The X Files – When former members have re-joined Kaine for one off appearances

The new live album available from our Bandcamp

December 29th, 2012 – Hole in the Wall, Colchester

Rage Sadler: Vocals/Rhythm Guitars
Dan Mailer: Bass/Vocals
Anthony Murch: Lead Guitars
Josh Moreton: Drums

Background: The band were offered a slot as a last-minute support for Coronach at the Hole in the Wall. Chris MacKinnon who had recently joined the band was unavailable for the gig so original drummer Josh Moreton filled in for the night where the band played its debut album Falling Through Freedom in its entirety for the first and only time.

May 16th, 2014 – The Barfly, Camden, London

Rage Sadler: Vocals/Rhythm Guitars
Dan Mailer: Bass/Vocals
Anthony Murch: Lead Guitars
James Balcombe: Drums

Background: James joined the band on the final show of the Renegades Tour with Monument when Chris had to perform for his university exams finals in Colchester on the same day. James joined the band for what was the most intense nights in the history of Kaine, as they dropped their association with MGR for management and as a record label that day due to incidents that occurred on that tour.

February 5th, 2016 – The Soundhouse, Colchester

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
Dan Mailer: Vocals

Background: Dan Mailer, who was at that time playing in Ipswich based Death Metal band Daemona joined the band onstage as guest vocalist for Solidarity during the bands set, a song which Rage broke a string and had to perform the final song of the night Quality of Madness as purely a vocalist. It was also the first gig the band played with the new four pieces line-up after Anthony Murch left making it the start of the Crisis of Faith era.

February 24th, 2017 – The Asylum, Chelmsford

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
Dan Mailer: Vocals
Josh Moreton: Drums

Background: This was the night A Crisis of Faith live was recorded the band played a large number of the new album songs before they were even recorded at this show and were joined by Dan Mailer on vocals for Iron Lady and Solidarity and Josh Moreton on drums for the Iron Lady, a song he had never played with the band before. Chris joined Dan Mailer in joint lead vocals for Iron Lady.

April 15th, 2017 – Hope & Anchor, Islington, London

Rage Sadler: Vocals/Rhythm Guitars
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
James Balcombe: Drums

Background: Chris was unable to do the show, so long time band friend James Balcombe of Osmium Guillotine stepped in to perform on the night for the second time. The set was recorded and is available to bandcamp members here.

May 20th, 2017 – The Smokehouse, Ipswich

Rage Sadler: Vocals/Rhythm Guitars
Stephen Ellis: Bass
Ant Murch: Lead Guitars and Backing Vocals
Josh Moreton: Drums

Background: Kaine were originally due to play with AJ Kemp of Dismanibus fame on Lead Guitar alongside Josh Moreton and Dan Mailer on bass as a special one of show playing songs from the original album. However, Dan was diagnosed with carpel tunnel syndrome (he and Josh were playing with Elimination at that time and on the same night for the bands 10-year celebrations) so had to drop out. Stephen Ellis was then drafted in to play bass, alongside Anthony Murch to play a set comprising of material from the first three albums. It was the first time Josh had performed with the band since 2012 and Anthony, which was 2015.

May 4th, 2018 – Voodoo Lounge, Stamford

Rage Sadler: Vocals/Rhythm Guitars
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
Liam Etheridge: Drums
Chris MacKinnon: Vocals

Background: Chris joined the band on stage for Frailty of the Blade on vocals, the second time he had performed solo as a vocalist for the band the first being when he joined Dan Mailer to sing Iron Lady at the Asylum for A Crisis of Faith live. This would also be the last show played with Saxon and Stephen as official members of the band.

May 26th, 2018 – B2, Norwich

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Dan Mailer: Vocals

Background: Dan Mailer joined the band on stage, coincidently for another new line-up debut at the B2 Norwich for Iron Lady during his tenure as the lead singer of lone time Kaine friends and collaborators Osmium Guillotine.

July 7th, 2018 – B2, Norwich

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Ant Murch: Lead Guitars and Backing Vocals

Background: Ant Murch joined Kaine on stage to play an encore of songs from The Waystone and A Crisis of Faith eras including a solo trade off with Toby Woods.

August 11th, 2018 – Scruffy Murphy’s, Birmingham

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Dan Mailer: Vocals

Background: Dan Mailer again joined the band on stage for a rendition of Iron Lady with the Reforge The Steel line-up.

September 14th, 2018 – The Cavern CM7, Braintree

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Toby Woods: Lead Guitars
Isaac Healy: Bass
Saxon Davids: Lead Guitars and Backing Vocals
Dan Mailer: Vocals
Stephen Ellis: Bass

Background: Liam Etheridge was unable to perform at this show (which was Osmium Guillotine’s album launch) so Chris MacKinnon covered on the drums, Saxon Davids joined as an additional guitarist for a set which was a mixture of Crisis of Faith and The Waystone material which also featured Dan Mailer again on guest vocals for the Iron Lady and Stephen Ellis joined the band for the encore which was The Mind is Willing, the penultimate time that song would be played and that line-up would play together.

December 22nd, 2018 – Scruffy Murphy’s, Birmingham

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Saxon Davids: Lead Guitars and Backing Vocals

Background: Saxon Davids joined Kaine on stage for several songs from the A Crisis of Faith album.

April 27th, 2019 – Arts Centre, Colchester

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass

Background: After the Reforge The Steel line-up performed, the A Crisis of Faith line up closed the night as that line-ups final gig to celebrate the first 10 years of the band. A double album was recorded and released featuring both sets.

The Waystone patch now available from Bandcamp

To mark 5 years of The Waystone album we’ve done our first official patch to accompany the new Waystone EP which will be recorded later this year.

This patch is high quality, full colour and features the original “Evil Eyes” t-shirt design. Each patch comes with a free download of The Waystone album. Limited to just 50. Members get 10% off all orders. 

Order here.

A Crisis of Faith.. how was it written?

 

 

Yesterday I wrote about how the album was promoted and how it performed in terms of sales. Today I thought I’d take a look back on the background of the album and how it was written.

The album has its origins in August 2015 when a year after The Waystone, Dan Mailer (bass and vocals) decided to move on from the band and we recruited Drop Dead Fred bassist Stevo Ellis to join the band. At this point in time the band was still a five piece and we had been writing music for a follow up album to the Waystone, we released one of tracks as a single as a taster for the new record which was Justice, Injustice however when Dan left the band this was all scrapped. We remained as a five piece until the end of 2015 and in that period, we had brought Voice in Hell into the live set, as well as started to write songs such as Afterlife, Fall of Jericho and A Night Meets Death. I had written Voice in Hell, Chris had written Afterlife and Fall of Jericho and A Night Meets Death were Stevo’s work. We had taken most of January off to begin writing the next album in full when Anthony decided to leave the band also for personal reasons.

Going into 2016 we decided to remain as a four piece and to work solely on new material, which is what we did for the next year and a bit. We put hours into rehearse and refine every little detail of everything we wrote because we knew how important this release would be for us, being our third album and it being a brand-new line-up. Much of the rehearsals were done at Pioneer Music in Colchester, with some also work being done at Unit One.

We demoed the songs, would practice the songs, play them live, alter and so on until we were happy. Saxon brought the song Heaven’s Abandonment to the table, while Stevo added to it with the intro, Chris wrote Afterlife and The Mind is Willing, which saw him perform lead vocals for both for the first time. Stevo wrote A Night Meets Death with Saxons input, Fall of Jericho and of course “Stephens Song” which was a n old Drop Dead Fred song which Stevo and Chris had done in that band together before being ejected from that band, which we turned into Frailty of the Blade. My contributions were Voice in Hell, Crisis of Faith, Alone, Behind the Preacher’s Eyes. I wrote all the lyrics bar those for Afterlife and The Mind is Willing, however Stevo helped me with some of the melodies for A Night Meets Death. Of course, we all had a degree of input on all of the material written but the original ideas came from essentially one of us having the bulk of an idea and taking it to the band and working it from there.

The ambition really was to write the best album we could and try and push it to the moon and back once it was released, and try and improve upon what had happened in the past, we gave ourselves the time to write and flesh ideas out whereas on The Waystone we were pressured by a label to do things much quicker than we would have liked.

Rolling into 2017 we were ready to record the album, having already played all of it live as heard on our A Crisis of Faith Live album, which was recorded before the album was even released. In terms of finding somewhere to record, Stevo had performed bass on the Twisted Illusion album Insight to a Mind with a Million Faces album and had recorded at Pointy Halo with Carl Brewer based out of Red Wall Studios in Greater Manchester and suggested we use him. We listened to his work and agreed that he would be ideal for the new release, in order to give us a much more modern sound to fit the new band as well as move away from being stuck in that old school bracket production wise, as well as musically speaking we wanted to move away from more of the New Wave of British Heavy Metal influenced stuff and stamp our own sound on the album as much as we could while keeping true to our music roots and I think we did deliver that, and given much of the NWOTM online scene loathed the album, the evidence was clear we had achieved that distance.

We recorded over the course of several months in 2017 after demoing the album in full, we did release the demos as a special one-off Ghost Edition which sold out in under an hour. Once in the studio and after the bulk of the recording had been done we spent a lot of time mixing it with Carl and Sheldon, adding in orchestral elements, making a lot of effort to ensure the vocals were strong, that the instruments sounded to as we wanted which is why we didn’t release the album until February of 2018, because we really spent the time on it. Chris in particular took a lead role in all of this, putting those elements together as well as the orchestrations, hidden tracks and even the track listing.

Ultimately the release was a team effort and I really hope this shows throughout the album.

A Crisis of Faith… A Year On.. How did it do?

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So, it’s been exactly one year since the release of our last album A Crisis of Faith, it’s been a very challenging year, from line-up changes to continuing to push the album as hard as I can using my own personal budget, and of course the bands gigs to try and promote the album.

When we released the album, we sent it out by e-mail to over 8000 people, friends, family, fans, industry contacts, everyone we could. Unfortunately, the response rate to those contacts were pretty poor, I think less than 20% of those people we sent to the e-mail to actually opened and read it and even less checked out the album! We of course pushed it hard through Facebook, but social media like e-mail is getting harder and harder to get people to both see and then interact with you on. We followed up the e-mail with a press pack to record labels, festivals, management, whoever we could think of and it was sadly rejected by all we contacted but we did our best to push it as hard as we could.

Reviews wise, most seemed to enjoy the album with only a couple of bad reviews out of them all, but the album didn’t feature in any major outlets top ten lists or essential Metal albums and the feedback on the album dissipated fairly quickly this time, whereas the Waystone which got panned much harder seemed to rumble on for a lot longer. We tried a music video for the album, after contemplating it for years which got a couple of thousand views, but it didn’t prove to be a very successful outlet to market our music as again, trying to convince people to try and watch the video was a real challenge for us as it either wasn’t seen when we promoted it, or ignored.

In terms of playing gigs to support the release, we booked 41 shows, many of which were self-promoted in the hope that those who attended the nights would also buy the album. These went broadly well with only a few bad ones now and again. The main difference between A Crisis of Faith and The Waystone is that more people bought that album on the gigs to begin with than A Crisis of Faith, but overall the initial release of A Crisis of Faith performed stronger online, however it picked up towards the end of the year. In terms of Spotify, we’re still struggling for plays there so we typically don’t focus on it. We did try and encourage digital sales by offering them for just £3 too. We offered packages which included t-shirts, vinyl’s and everything we could do.

I have been criticized in the past about writing about how well or how badly our albums and tours have done, one being was when I wrote about the Waystone which caused a lot of the local music scene to engage with a lot of slagging off and insulting of the band, in particular myself, but I am not one to hide from this sort of thing, these things are what they are and I am not going to pretend to be a successful musician just to appear bigger than I am online.

So how do the stats look a year on from release?
• Steaming/Downloads – 31,356 = £441.06
• Physical Sales (CD, Vinyl etc.) – 434 = £6,338.03

So that’s where we are after exactly one years, naturally this isn’t pure profit as the costs of the recording, printing CD’s, pressing, marketing and everything else. As you can see the amount of streaming massively outweighs the sales, but it pays so little in return that despite the fact we have been downloaded and streamed over 30 thousand times, that’s only paying £0.0140662074244164p per play. It’s another challenge with more people moving to streaming such as Spotify, YouTube, and everything else and less people even owning the means to play a CD or vinyl for a band our size to rely on streaming to fund albums. This is the future and in 10 years’ time the whole landscape will have changed entirely again with more people streaming albums, rather than buying. At least in America there have been moves to improve the situation in terms of artists being paid fairer for streaming but no one has taken up the mantle in the U.K. as of yet to push for a bigger share of the income. We’ve also seen HMV go into administration after losing something like 80% of their physical DVD/CD sales in just a year which gives you further indication of how the game is changing.

I have been told that many do find the insight helpful. It’s a sign of the times when a band has tens of thousands of streams, over 11 thousand social media follows and whatnot and the real strength in terms of income is still gigs and physicals such as CD, as they were ten years ago, without those physical sales we wouldn’t have even made £500 on the album.

I’d say overall what we have achieved with this album has been successful for a band our size although our critics will point to the fact we’re now 10 years old and are still at this level. Naturally we’d liked to have done better with it (as anyone would) but relying on your own budget to promote and gig you can only afford to do so much between affording to live, but we worked hard (that is both line-ups) and the response overall was positive so I don’t have any complaints. The album has proven popular enough it’s being re-released in Europe by Underground Power Records and I hope it is really successful there so we can emulate the likes of Toledo Steel, Seven Sisters and Midnight Force on the continent and hopefully do more that side of the sea moving forward.

As ever thanks for reading and to those who supported the band by buying the album I truly appreciate the support.

Arts Centre Show – Ticket includes CD, Shirt, Poster and more[Update]

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With every ticket purchase for our Colchester Arts Centre show in 2019, you get a CD, Shirt, Poster plus more to be announced with every ticket where can be ordered here.

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Kaine will be supported by A Bribe for The Ferryman and Osmium Guillotine, and will feature guest appearances from founding members as well as the A Crisis of Faith line-up.

A Crisis of Faith Line-Up to reunite for last ever performance at Kaine 10 Year Show

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Rage Sadler, Chris MacKinnon, Saxon Davids and Stephen Ellis will perform together for one last time at next years Anniversary show at the Arts Centre in Colchester.

The band, who were the Kaine line-up from 2016 to early 2018, recorded the bands most recent album A Crisis of Faith and were a very popular live act that many were sad to see split up. It was also the line-up who played in front of a sold-out Birmingham o2 in February. The band performed together briefly at Osmium Guillotines album launch show in September playing The Mind Is Willing.

The line-up will perform a selection of songs from A Crisis of Faith.  If you wish to see the final ever performance of this line-up, please purchase a ticket by clicking here.

A Crisis of Faith – Blog 2

RSB

From the Ashes ….

It’s been a while since I wrote one of these blogs. My reasoning is quite simple, I have been busy rebuilding the band following the collapse of the A Crisis of Faith line-up starting back in April, when Chris announced his departure and was followed by Saxon and Stevo thus ending the line-up that had been in place since the start of 2016.

I have already said numerous times how devastating this was to me, especially after what we had achieved with the last record and as a live band and to have it end so quickly and abruptly was easily my lowest point over the 9 years of Kaine. For me, it was also the greatest challenge ever faced as I had essentially a fortnight to rebuild the band, and chances are it could have even been the end of me as a musician and I honestly thought it was.

However, for whatever reason I have been blessed with another chance to succeed in music and to continue with Kaine. Liam joined us on drums while the majority of the old line-up were still in the band, and not long after we held auditions for guitar and bass and have been incredibly blessed to welcome both Toby and Isaac into the fold.

These three young guys have come in and had to catch up with much of the bands back catalogue in a very short amount of time. They have all shown a great level of dedication and professionalism in under taking the task and working with me to get the new band gig ready in a very short amount of time. Very few people believed we could manage that, and to be honest they would probably be right in assuming so. It was one hell of a challenge to be faced with. However, we are here now, approaching our 5th gig and as a line-up growing into a stronger unit on stage, are already playing a new song live amongst an hour set which we have already headlined with. In fact, we played it with such ferocity that Isaac managed to cut his finger open and had to come to rehearsals the next day bandaged up. Those who came were stunned that the band was still holding up it’s same high standards with an entirely new band which had been together roughly a month in total.

Despite all the problems caused by members leaving, I remain committed to releasing the rest of A Crisis of Faith and have been working incredibly hard with Breed Media to produce a high quality coloured vinyl version of the album, as well as mixing our 2017 live album which should be released soon after. This has been a lot of work between rebuilding the band, but as I said, I have an obligation to A Crisis of Faith whether the line-up split up or not and of course to everyone who paid extra for the pre-orders who helped us fund the recording in the first place. The good news is A Crisis of Faith has since sold out on CD and we’ve had to order more.

Because of all this work with the new line-up and A Crisis of Faith I have had to ditch the streaming on Facebook and YouTube stuff I was doing earlier this year, but once I get settled again I will resume what I was doing.

We’re now getting new booking coming forward with people very impressed with the new line-up, and while we have taken a knock, ultimately, I am just grateful to be playing at all right now.

I hope to see you on the road.
Love, Rage

Saxon Davids and Stephen Ellis announce departure from Kaine

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Saxon Davids (lead guitar) and Stephen Ellis (bass) have today announced their departure from the band, following Chris MacKinnon’s (drums) departure last month, effectively ending the bands A Crisis of Faith line-up.

“Leaving Kaine isn’t a decision I’ve taken lightly but I feel I’m at a point in my life now where I need to take a break from the heavy and active lifestyle of gigging to focus on my own life and career outside of being in a band. I wish my old band mates nothing but success and want to thank them all for the amazing experiences these past 4 years have given me.” – Saxon Davids

Following Saxon’s decision to leave the band, Rage offered Stephen the chance to leave the band at this point also which he accepted.

“I didn’t want to have to leave Kaine, but following Chris’s and now Saxon’s departures I feel it’s best at this point to also move on to allow the band to start putting together a new line-up for 2018. I will be making my own statement at a later point” – Stephen Ellis

Both Saxon Davids and Stephen Ellis will remain with the band in a live capacity until replacements can be found. The remaining members of Kaine will make an announcement tomorrow.

Chris MacKinnon announces his departure from Kaine as band issues release on its own future

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Earlier today Chris MacKinnon issued the following statement as he announced his departure from Kaine.

Having sat at the computer screen for nearly 30 minutes now without being able to find the correct words to say, I’m just going to be blunt about this.

A few weeks ago I came to the conclusion that I no longer wanted to continue as a member of Kaine .

As complex as the situation feels in my head, it is actually a very simple reason – finances. I’ve been with the band for almost 6 years, and have devoted countless hours to its progression, yet always at the expense of myself or my other bandmates.

I wish I could devote the same level of commitment that Rage, Saxon and Stephen bring to the band, and have always tried my hardest to ensure that things were done with the utmost professionalism, whether that be learning the material for recording or simply knowing that saying ‘Yes’ to a show date means it is set in stone. However, it seems that I’ve reached a point where I’m standing on a thin wire and a final choice had to be made.

Regrets, I hear you ask? None. This band is my baby, and when I joined in November 2012 I was simply a 17 year old emo who liked to play Funk Rock with anyone who would have me. I never expected that the band would turn out touring 3 times and playing enormous show’s like HRH Metal. I have adapted and evolved enormously as a drummer and as a person, and looking back on my time in the band I can’t see a single thing I would have changed, from recording the entire Waystone album in one 9-hour session to sitting down with my guitarists for hours on end discussing harmonies and other musical nonsense.

Kaine remains, and this is just my time to move on to the next thing in my life, whatever that may be. Rage is still the most devoted, hard-working and outright decent bloke I’ve ever met. I’ve racked up a fair amount of debt with the guy over the years from my own inability to pay for expenses, and he has never made it into an issue, as he of all people understands how hard money-troubles can be. He’s a rare breed of person, the kind of guy that we need more of in this twisted world.

Stephen and I played for years in Drop Dead Fred – Band, and when our time there came to a close, we focused our efforts into Kaine and were able to create an album that I’m incomparably most proud of. Steve is an absolute monster as a musician, and also a genuinely incredible bloke with the most hilarious sense of humour you will ever find in another human. His songwriting ability is also second to none, as he somehow has the ability to constantly come up with new ideas. Did I mention he can talk bollocks for hours on end?

Saxon deals in absolutes. He is a musical Sith-lord, powered by Modes and Semiquavers, and in the 4+ years I’ve known him I’ve only ever seen him use the toilet once, and that was to flush a barbie. He’s quiet, but he’s also a bloody loony and I will sorely miss being on stage with him. In fact, I will sorely miss playing with the whole band, as this is a life decision I’ve never made before. (I normally just wait to get fired from bands, I’ve never quit one before lol).

These guys are my Brothers, and they’ve seen me, and helped me through more situations than they probably even realise.

For my own part, I’m very thankful I was given the opportunity to play for the band and experience the wonderful world of music, as grimy as it can be at times. The weird and wonderful people that I have met along the way will remain with me forever, it really has been a journey through and through.
I will be joining Kaine on every date I agreed to, until a replacement is found, and ultimately I intend to press my interests towards working further in the music industry and will be trying to access work on more tours now that I have a stronger understanding of how the touring industry works.

Still. I wish the band every success in the world, and will support them as though I were still with them. If you’ve read all of this, and don’t yet own our album, go buy our album.

Peace. – Chris

The remaining members of the band spoke late last Thursday night about the situation moving forward after Chris had told them his intention was to leave by the end of the year provided no replacement was found beforehand. Rage then made the following statement after Chris’s announcing his leaving of the band.

“Losing Chris just a few months into the release of A Crisis of Faith has been a massive blow to the band. Chris, for the better part of 6 years has been a very active and contributing member of Kaine having appeared on our last two albums and a live album, featured during the bands only two major tours and of course the bands career highlight playing Hard Rock Hell just a few months ago. It’s not unfair to say we were devastated by his decision to leave us.

Chris has been our friend and bandmate, we as a four rallied together after a turbulent 2015 to rebuild the band into an exceptional live act and to deliver an album that we hoped would launch to band to the next level. Chris was a huge part of this process, working with us to structure the songs as well as contributing two full songs and lyrics to the album spending literally hours in rehearsal rooms to get everything right. Chris prepared the ghost tracks for the album, organised the studio sessions directly and the results speak for themselves.

Ultimately the album did not take the band to the next level, and a tough financial decision had to be made by Chris. Despite the album being available for £3, it’s not been a strong seller and without the number of record sales or large gig attendance we simple do not generate an income from Kaine and Chris has been caught between a rock and a hard place and had to find a way out to be able to progress his life.

It’s a decision we fully understand as we’re all equally in a very bad position financially as things stand following the release of the album, and with the upcoming gig schedule where we are in fact promoting the majority of our own shows, without the bodies through the door and the merch we’re making a loss on those too and it’s a loss Chris could no longer afford to make. There is no major label, tours of festival offers on the table at present either, meaning all the work and financing of the band is entirely on us.

We concluded that we were still obligated to see out the A Crisis of Faith release on the road, and while so far the band has struggled to break through to the next level, but equally we’re not going to be able to sell any records or merch sitting at home and thus will be auditioning new drummers from Thursday this week and preparing the write the fourth Kaine album over the coming months.”