Reforge The Steel was released in October 2019 and not long after the release the UK went into a Covid-19 lockdown, and thus live shows were cancelled and suspended for the majority of 2020/21. This meant there was a lack of opportunity for ourselves to play live to promote the album and sell physical copies at our gigs. We are therefore using our August tour as an opportunity to run a soft relaunch of the album, we will be promoting the release through our social channels again and will be performing tracks exclusively from that album during the tour. You can order the CD here.


The original version on CD sold out, the current version is our collectors edition version which includes a high-quality CD, a full colour booklet with all the lyrics all housed in a super jewel case and has 5 bonus tracks as well as a remastered and updated version of the album.

We also produce a limited edition shirt featuring the album art which is also available here.


To celebrate the 4th anniversary of the reformation of Kaine with the current line-up, we are running a sale on all the CDs released by the band since then. This is to help raise funds for the band while we try and finish our new album and EP and remain on the road following two years of restrictions due to Covid-19 hurting the band’s finances significantly.

If you are yet to complete your collection of Kaine releases, this is a good opportunity to pick up items cheaply. Members get a further discount on all items.

Reforge The Steel – Collectors CD

This is a special edition of the album with bonus tracks, a full-colour lyric book, and comes in a Super Jewell case. The album was also remastered for this CD and differs from the original CD.

Sale Price: £10

Reforge The Steel Live CD

Recorded in late 2019 before the pandemic hit. This is a complete live recording of the album from the B2, Norwich which also includes tracks from A Crisis of Faith from that set. Only a limited number of these CDs remain.

Sale Price: £5

The Waystone EP

This includes 5 re-recordings and updated versions of tracks from our 2014 album The Waystone released to celebrate the anniversary of that release. Only a limited number of these CDs remain.

Sale Price: £5

Kaine EP

Recorded live at The Smokehouse, Ipswich at the end of 2020 and released in 202, this CD includes two versions of the EP and is only available in limited numbers.

Sale Price: £5

Kaine X DVD

This is a recording of our full set from the 10th-anniversary show at Colchester Arts Centre. The DVD was released to help support the costs of that show and is a very limited item. Each DVD comes with the tickets from the gig as well as a digital version of the live album from the same night.

Sale Price: £5

Reforge The Steel – Full-Colour Shirt

Sale Price: £10

Order from here:


This week we have released 3 exclusive live albums for our Bandcamp members which include 3 sets from our recent One-Eyed Toad Records tour alongside Neverworld and Planet Fatale. We have uploaded the Coda set, which features a one-night reunion with former guitarist Ant Murch, and our full sets from Cambridge and Hastings earlier this year. The sets also contain three new songs from the forthcoming album.

You can download all 3 albums here. Membership just cost £5 a year and includes a ton of exclusives and out-of-print releases as well as a 10% discount. As it’s Bandcamp Friday, anything ordered will result in 100% of the revenue going to the band.


Album title and logo

We’ve recently ran into a few issues with the new album which has caused some delays. Unlike previous records which were done in one studio, with one producer and over a short period of time, After Extinction has been a totally different process largely due to the Covid restrictions which have delayed the writing, rehearsals and recording of the album significantly over the past two years.  

We out of necessity have tracked the album across two studios (Gallow Wood Media and Unit One) with Talon Payne and Wayne Thompson contributing to the recording, production and editing of the album while we have been mixing the album ourselves and with advice from an external studio. I have overseen the whole project between managing the day-to-day business of the band and my day job. We have also been back on the road gigging with Neverworld and Planet Fatale which has meant much of my free time has been focused on making those shows a success on top of looking after the new album project.  

Recently this was pushed back when there was a hardware failure has resulted in further delays to the production after a handful of songs had been mixed, and between further revisions and contributions of the keys from Heidi Crowell.  This hardware issue has now been resolved and we are now moving forward with the album release again.

So, while the songs have been tracked and are sounding great in the raw, we do need more editing and changes as we go through the mixing process to give this album the best overall sound possible.

We debuted a fair chunk of the songs like since 2020 and many will hear that this is a completely different direction from our previous releases and represents an overall change for the band which we have matched with our new stage aesthetics and our brand-new logo. The new album has a march harder edge than the previous and is an album more influenced by our Speed Metal origins as opposed to anything really rooted in the NWOBHM movement which we had moved towards during The Waystone period of the band.

That is not to say we have lost the melodic stuff at all, there is a ton of that on the new record, but the music overall and the subject matter is much more in alignment with what is happening in the world right now rather than being mostly influenced by the 1980’s. It is a Metal record, and if anything, our least mainstream sounding record, and probably our least NWOTHM sounding album and production, although it is not as modern influenced (or progressive) as the material on Crisis of Faith and a lot more refined than out debut release, I think the best way to summarize it is it is our heaviest and angriest release yet.  

Lyrically we have touched on everything from battling Alzheimer’s disease, the culture war, drug addiction to the decline of western civilization and the evils of greed right through to the negative impact the existing Governments over-building policies have had on our environment. It is a bit more relevant lyrically than our past records I would say, it may upset a few people, but we have tried to keep it as balanced as possible.  

While the album has been slow to put together, we have soldiered on with the 5 new songs for the Patreon 21’ EP having recorded the bulk of those and started rehearsals for the 22’ EP material, oh which the band has now learned 4 of the 5 songs on that release so substantial progress has been made. The 21’ EP was delayed due to Covid restrictions and the band having to focus on the new album release.  

The 21’ EP is most definitely much heavier than the new album in places, but also has the most diverse range of songs. It is influenced by Speed/Thrash/Death Metal but there’s also a Sabbath inspired track on there and a song mocking industry created “alternative” bands that have come straight off a production line but sold as an organic thing.  

Anyhow I thought I would issue this update on just where we are at with the 3 releases which we fully intend to get out this year. 


Last weeks gig in Nuneaton

We will be playing the Tap ‘N’ Tumbler tonight in Nottingham alongside Neverworld and Planet Fatale. This is our first appearance at the venue and our first gig in Nottingham since 2013. We will be doing songs from Reforge The Steel, Falling Through Freedom, and our new album After Extinction.

Working on the EP a few months back

On Sunday we will be back home in Colchester tracking guitars for the 2021 Patreon EP with Wayne Thompson. We have five new songs for that EP which will be a CD exclusive for our Patreons only.


We will be heading to Unit One tomorrow to prepare for our next two gigs next weekend in Cambridge and Hastings. We return to our regular line-up and will be playing a mixture of songs from Reforge The Steel and After Extinction.

Tickets from here.

On Wednesday night we played a one off gig with Anthony Murch while Toby was away. We did a mixture of songs from Reforge The Steel, The Waystone and Falling Through Freedom which can be seen on the above video.

The previous Friday we had played Club 85, Hitchin.


We are pleased to unveil our brand-new artwork, and album title, for the new Kaine record to be released later this year. The artwork is again by Silencer8 who has designed every one of the band’s album covers since the debut album in 2012.

After Extinction will include 9 brand new tracks written and performed by the same line-up which recorded 2019’s Reforge The Steel, the first time the same line-up has appeared on back-to-back releases from the band.  More details will be revealed at a later date.

Appearing on the record:

  • Rage Sadler: Lead Vocals and Rhythm Guitars
  • Liam Etheridge: Drums and Backing Vocals
  • Toby Woods: Lead/Rhythm Guitars and Backing Vocals
  • Isaac Healy: Bass Guitar


  • Heidi Crowell: Keys and Synths
  • Talon Payne: Backing Vocals

Produced by:

  • Kaine with Wayne Thompson and Talon Payne
  • Recorded by: Wayne Thompson (Unit One Studio’s) and Talon Payne (Gallow Wood Media)


Last weeks sessions

We are preparing to return to playing live shows for 2022 during our rehearsal sessions at Unit One, Colchester today. The first gig is at Club85 Hitchin and tickets are available here.

Neverworld return to Club85 with a new line-up, a new release and a new show.

“Neverworld remind us all of what heavy metal is all about. At a time when we seem fixated on the next big subgenre or the ‘scene’, here is a band that have metaphorically stuck two fingers up and said, ‘we just want to rock’. And for that, Neverworld should be applauded…”

Death Valley Knights

“DVK appear to combine the power of traditional metal with contemporary sensibilities, blending razor sharp solos with big riffs and even bigger choruses”

Planet Fatale
Dark Heavy Rock from Cambridge fused with blues, stoner and alternative metal influences.


Traditional heavy metallers from Essex!

Doors: 7.45pm

Tickets: £6.50 + 10% booking fee or £8 on the door
Tickets are available from ……/neverworld-planet-fatale-kaine/

Age: 16+ with photo ID – younger patrons can be signed in at the door and accompanied for the duration of the show by a responsible adult.

Earplugs are available upon request (50p).

Downstairs bar open until 1am.

Like all our gigs this show finishes well in time for the last trains North and South to Cambridge/Peterborough and London and we are just a 5 minute stroll from the station.

For full up to the minute listings please visit and consider signing up to our mailing list for information on existing and upcoming gigs straight to you!

We’ll be joined by our former bandmate Ant Murch who will be with us preparing for our CODA show, also in March.


Last weeks rehearsals at Unit One

Last weekend we finished tracking all the vocals and vocal overdubs for the new Kaine album at Gallow Wood Media with Talon Payne. The remaining parts to be recorded are the keys from Heidi Crowell. The album is currently being edited and mixed behind the scenes and will be ready for release soon. Liam and Rage be discussing the songs on the album on the forthcoming Podcast episode.  


Maneater METAL COVER (Original by Nelly Furtado) – Unit One Sessions

Heidi Crowell will be performing keyboards/synths on a number of tracks on Kaine’s fifth album. Heidi is an exceptional keyboardist and vocalist and we are excited to have her on our forthcoming album, and are looking forward to her contributions to the record.

Forty Six & 2 PIANO COVER (Original by Tool) – Unit One Sessions

Heidi recently performed with our lead guitarist Toby Woods on Unit One Session’s cover of Maneater by Nelly Furtado which can be heard on the video above. You can check out Heidi’s music and projects on her facebook page here: or Instagram @highdeecmusic

Photo credit: Jaime Forest