I thought I would do a write-up on the year with the band given it’s been our busiest ever. In the early part of the year, we played a run of gigs put on by One Eye Toad Records which really helped us get back on the road again after the Covid-era restrictions were finally lifted in most cases. Most of these gigs were with Neverworld and Planet Fatale, two bands we have played with on a number of occasions over the years and with who we enjoy playing alongside. It’s worth mentioning that John Morter who organised these gigs and helped us get back to a regular gigging schedule sadly passed away last month. For all of his hard work and dedication to the scene, he will be greatly missed.
During that run of gigs, we had a one-night-only reunion with Anthony Murch on lead guitar. Ant was in the band from 2012-2015 and played on our first two albums. Anthony again played songs from both his time in the band and later albums since his departure. He’s currently playing alongside our former drummer Chris MacKinnon (who likewise joined in 2012, but after our debut album before leaving in 2018) in a band called It’s Not A Phase Mum, covering the 2000’s era classics which can be found here.
We made our return to two of our favourite venues this year too, both the Melbourn Rock Club and the Rock Den in Hatfield, both of which were fun nights.
A large portion of the year has been taken up with recording, editing, mixing, mastering, and so on. We worked extremely hard to get our new album After Extinction finished this year, as well as recording a further 10 tracks for two EPs, one of which has been released digitally and the other is currently being worked on. I have said previously that I cannot remember a time the band has been busier and 2022 certainly was a challenging year, but I feel a great relief to know everything on our end is now completed and there is very little remaining to do going into 2023.
It is worth mentioning that there will be a new Falling Through Freedom t-shirt and patch coming to all our Patreon’s soon, with two EPs (which include a multi-disc set) on CD heading out to everyone paying £3 or more ASAP. We have been slightly delayed in getting these out due to the Extinction After EP still being finalised! These will be with you soon, depending on Royal Mail strikes!
In August of course we joined the Lillian Axe/Riot Act (ex-Riot) tour as a replacement for Kim Melville. This is the first tour this line-up has done, and we had an amazing time on the road, and we are very thankful for the opportunity to play with two exceptional bands here in the U.K.
We aptly finished the year with two hometown shows in Colchester both at the Brewhouse on the 25th of November and Coda, on the 14th.
We also introduced a new Patreon tier, a band backer tier which was to help the band fund an opportunity we were recently offered. Without giving too much away at this stage, an official offer/contract has come through and we used some of the new Patreon funds to have the offer independently accessed by an expert, as well as general guidance on the best route forward for the band in 2023, with more the be revealed at a later date.
Our first gig was on May 26th 2018. It was one of our regular shows there as I had booked a reasonably busy schedule that year to help promote A Crisis of Faith. We arrived at the venue early and were chatting outside prior to load in when Dan Mailer and Josh Birch arrived together (from Osmium Guillotine) pulling up in the carpark, I had a half empty bottle of Coca-Cola which I was able to throw through the passenger window, past Josh’s head and straight into Dan’s face as he pulled up. Dan, looking for revenge, jumped out of his car and came charging up the B2 steps towards me, having forgot to put his handbrake on, turning to see Josh and his car going for unplanned trip into the Brickmakers beer garden!
The other amusing moment from that gig was the late great Wayne MacConnachie had arrived with Peter Keliris for the gig, he looked at me, looked at the guys and said “where’s ya band” obviously having not heard the news, I said to him that this was the band, he looked at me, looked at them “your fucking joking aren’t you?” I said the others had left the band and he was gobsmacked “they left you? They all left you? They all fucking left you?!”. Wayne simply couldn’t believe the last line up had left! That was sadly the last time I saw Wayne alive and were informed of his passing on the way to the Reforge The Steel Live recording gig in November 2019. We played a tribute to Wayne alongside Osmium Guillotine and Walk in Coma in January 2020 in Braintree.
Gent aka local legend Andy Martin opened the night, and Osmium Guillotine obviously also played. Dan Mailer jumped on on stage with us for the encore and all in all it was a successful first gig with very few mistakes. I think we genuinely shocked a few people. The band was formed in a fortnight and was already playing live, and to a good level, the transition seamless from the previous line-up.
Our next gig was a charity event in Long Melford, famous for being the place the legendary Hellfire Club was founded and much of the local folklore surrounds nefarious activities by the local nobles at Melford Hall. It is also famous for Beatrix Potter having stayed there. The gig itself was for our friend Bonnie Kelly’s fathers best friends memorial – Bonnie has her own band New Pages which can be checked out here. Toby and Isaac had to perform double duty as Cannon were also on the bill. Chris MacKinnon was also doing sound that night, obviously unable to stay away from us! After that we played the Unicorn in Camden for the first time. We would play a few gigs there in 2018 which were all really good, but weirdly after that we were never invited back! Kaine actually hadn’t played the gig since 2013 when we supported Canadian Metal legends Striker there! Again the gig went well and the band started to gel on stage.
After that we played with Alter the Sky at the Blue Moon, Cambridge. This is another venue we used to play a lot back in the day when it was the Man on the Moon, we even had a residency there for a bit in 2013. Again the show went incredibly well and people struggled to believe that this was a brand new band. We also started playing songs from Reforge The Steel around this time in the set as well. We were literally rehearsing, learning the Crisis material and adding new material into the set as well which really helped progress the Reforge The Steel album quickly.
It was in this period that I wrote the 8 tracks for Reforge The Steel at home. I decided that to prove the band wasn’t dead and this band was as good as ever, I had to get a new album out as quickly as possible. I wrote Reforge The Steel, Black and Rebirth first, Wake was a song and I and Saxon Davids started working on some years previous that we even played live in instrumental form toward the back end of 2017, and songs like Master of Mankind and In Cold Light were written later with Loudwire being the last one I think I wrote for that album. It was important to show the world that we were still going and that is why Reforge The Steel came out so soon after A Crisis of Faith. We just learned the new songs between the Crisis material, and then played them live to iron out the cracks. It was a very busy period for the band. I had also started a new job around that time, which was less all over the place then the warehouse work but infinitely more stressful!
We had another gig at the B2 in July. Anthony Murch joined us for a few songs that night and a solo trade-off on stage, which I part inspired the ending of Master of Mankind! As Ant arrived the venue I was able to sneak around his car with a traffic cone, and block his door off so he couldn’t get out of his car! Is it any wonder people leave my band….Having looked back at the dates we had a very busy 2018! We were back at the Unicorn that month and also played our first and only gig at The Rock Den in Hatfield, another venue we’d previously been a resident band at.
At the end of July we played Swanfest at the Swan, Ipswich in what was one of the hottest gigs I have ever played. Long term band friend Adam Prowse (who had played bass in Cardinal) joined us for the encore on vocals. The Swan is famous for having Ed Sheeran play there before he was famous. Ed recently having sponsored Ipswich Town Football Club, my football team and is famous for other things, but for me that’s the most important! Much like me he’s a regular at Town games, but at least he has a successful musical career to drown out the misery! It’s good to see him plough some money into the club under the new owners, but having said that if the club dropped any lower then I could have probably afforded to buy it, let alone sponsor it!
So I thought I would give a little detail on our early gigs as a band. It’s weird to think this was all three years ago now. I will cover the back end of 2018 and the start of the recording of Reforge The Steel next week.
The new version of Kaine was officially formed on May 12th 2018. But How did we arrive at this point?
The original band had been formed in 2009 and had had various line ups over the years, the people in the band would usually gradually change over time so things didn’t seem so radical to the wider audience. However in 2016, following the departure of founding member Dan Mailer (bass/vocals) and Ant Murch (lead guitar) in 2015 the line-up of myself, Chris MacKinnon (drums), Saxon Davids (lead guitar) and Stephen Ellis (bass) formed in 2016. Dan and Ant had been known to most people as they had both performed on our first two albums, Dan had left in August 2015 and Ant left at the close of play in 2015. Stevo had been with us a few months already when Anthony departed, and Saxon first joined the band in 2014 as a substitute for Anthony on a tour he couldn’t do and just remained in the band from that point alongside Anthony so the transition between Dan and Anthony departing didn’t seem that different or radical to those who had followed us for years.
The 2016 version of Kaine would go on to be a very popular line-up, from playing our regular shows at The Soundhouse in Colchester, the Asylum in Chelmsford, the B2 in Norwich and The Smokehouse in Ipswich among others. We built up a real following of regular gig goers and supporters during that period and began to write a new album, which would eventually end up being A Crisis of Faith, an album which we played most of the stuff live before we recorded it. There was a real emotional attachment between that group of guys and audience throughout that period and real desire to see us do well. We released A Crisis of Faith in early 2018, and although our fans loved it, it was largely ignored by the wider Metal audience and it didn’t really pick up much steam. Because it took a more modern, proggier direction from our previous release The Waystone it was met with a lot of criticism from the New Wave of Traditional Metal community and it generally didn’t go down well with that audience. We had a number of gigs booked and were also on the biggest festival billing we had ever been on, at Hard Rock Hell Metal 2018 playing the same stage as Grave Digger. We played the gig and we went down a storm at the sold out o2 Academy, Birmingham and it looked like to many on the outside that things were about to happen for the band.
Sadly, life doesn’t work out that way.
Internally within the band there were a number of personal circumstances that would force change. Chris was the first to depart not long after that in April, but this was largely an expected departure due to Chris own circumstances and thus I had already sounded out Liam Etheridge as a potential replacement. Liam is someone I knew from way back as his old band Asylum had played with Kaine on a number of shows, someone who I knew was a good drummer and a decent guy and someone who I thought would work really well for the band. I did however offer Josh (or original drummer) the opportunity to come on board again if he would like to, but he was busy with A Bribe for the Ferryman and Dismanibus at that time as well as working with Elimination. Chris formally left the band and Liam came in the week later, rehearsed and we were back to gigging almost straight away with no downtime. Stevo however had said to me at this point that he didn’t enjoy playing in the band without Chris and said he would stick it out but was generally unhappy.
A few weeks go by and Saxon calls me to inform me that he was leaving the band to move to America to be with his then fiance. I accepted his resignation and then called Stevo to offer him his release from the band. Both agreed to stay as long as it would take to find replacements.
I called Liam and gave him the bad news, and we agreed that it was probably game over for Kaine but we would see what our options were and try and keep it going.
I offered Dan and Anthony their old spots back, but Dan had recently joined Osmium Guillotine as a vocalist and was suffering from carpel tunnel syndrome which was restricting what he could do on bass. Ant was playing in covers bands and couldn’t commit to Kaine at that stage. People may think its strange to invite former members back to the band but I feel its a matter of courtesy. Josh, Dan and Ant poured a lot of their own time and money into Kaine in the early years and the band simply would have never existed without them. The least I can do is offer them their position back if it comes up. I never want to be one of those musicians who never asks someone back or holds grudges about departures. Life happens. People have their own reasons for leaving bands, usually varied and you can’t take it personally and you have to respect what they did to help make that band happen to begin with. We wouldn’t exist without those guys, or anyone who has been in the band these past 12 years and they deserve the credit for what they contributed. I knew they couldn’t come back, it’s just a matter of respect, and I respect them enough to ask, even if it is a “no”.
So, the night of the departure announcement I put up an advert for both positions and go to bed thinking that it was probably game over. In fact I had written a retirement statement that night anyway as I had fully expected it was game over. At that point in my life things were a bit of a nightmare anyway, I had started shift work in a warehouse after being made redundant the year previous from a job I had been at for a long time. I was working hard and my hours were all over the place, so my brain was scrambled trying to adapt to that on top of the band imploding suddenly immediately after an album release. I also had a ton of unsold CD’s, shirts and vinyl’s from that release which probably cost me close to £10k to produce altogether that without a band, wouldn’t have been sold so I was in a bit of a desperate situation financially as a result. I am not a wealthy man, so spending that sort of cash (not all at once might I add) on making that recording and then printing the CD’s, Vinyl and shirts to not sell them would have been a huge issue as I wouldn’t have had money to survive on! I think it’s worth pointing out that there are no issues between myself and any of the members from the A Crisis of Faith line-up. That is not the reason the split occurred. As with anything, its more complicated than that and I respect their decision to leave the band.
A few people have had digs at me for my decision to continue the band. They probably don’t understand that the A Crisis of Faith line-up wasn’t the original band and we had always had changing members over the years. They also were probably unaware of the financially implications to me personally if the band did end. I swallowed all of the bands costs (and still do) and don’t get that money back without sales so for me to put out a record without selling it would have been financial suicide for me at the time. This wasn’t about my ego.
The next morning I was messaged by a guitarist named Toby Woods about trying out. I asked if he could do Saturday, which he could, which was just a few days away and we booked in a try out. Toby went away and learned the stuff. That day I had a message from Dan suggesting I try out “this guy” and sends me a video. He had tried out for Elimination when Dan was working with them and didn’t get the gig. It turns out that guitarist was Toby. Dan’s pretty good at spotting good players so that’s a good endorsement to have going into your first try-out with Kaine!
On the Saturday session at Pioneer it was myself, Stevo, Liam and Saxon with Toby. We go to start playing Heavens Abandonment from A Crisis of Faith and Toby just didn’t join in. I am thinking in my head, this isn’t good and look over to Liam who looked back at me in silent agreement. We stopped playing and asked if he wanted to join in this time. So we start and Toby then plays the song through exceptionally well. Relief. It turns out he was just watching Saxon to just get an idea of how he played the song! The rest of audition went perfectly and we offered him the gig, well Stevo did actually, which was a bit cheeky as he was leaving the band as well! But that was fine as we were in a agreement. We causally asked him as we packed down if he knew any bassists and he said he had a mate who could play bass. We asked if he could ask him to try out, and by that evening his mate was booked in for a audition the following week. Toby was announced for the band and Saxon had officially departed as of that point. He never did find America though.
The week after Isaac Healy, who Toby had played with in Cannon, tried out for the band. Myself, Liam, Stevo and Toby were present. Again it went well and he was offered the position, which he accepted. He and the new line-up were announced that night. Toby would have his first gig with us on the 19th (the following weekend), which would be Stevo’s last show, at The Smokehouse, Ipswich and the new bands very first gig would be May 26th at the B2 in Norwich and we have been together ever since.
During this period I started writing what would become Reforge The Steel. We would learn and work on the new songs between gigs and even began recording it in November 2018, just months after the line-up had changed and not even a year after A Crisis of Faith. We would continue to gig and work on the new album, Reforge The Steel until it was finally released in 2019. We’ve since played 40+ shows together (which would have been a lot more before Covid hit!) released The Waystone anniversary EP, two live albums, another EP and are just about to record a brand new album. This will also be the first time in the bands history that the same line-up has appeared on back to back albums.
I will cover more detail from the new line-up period in more posts throughout the week, I just thought this would be a good starting point to give more details on how this version of Kaine formed, and why.
The Underground Power EU print of A Crisis of Faith has sold out in the UK. The album was written between 2015-2017 and recorded in 2017 for a 2018 release and is the only studio release from that era of the band. The live album version recently sold out on CD as well. The album is still available in it’s UK format on CD and vinyl from here.
The Underground Power CD’s were only available in a limited run in the UK and have now sold out for good. Some copies are still available online some of which can be found here.
A Crisis of Faith Live has finally sold out on CD. The band will not be reprinting any more of these and the digital version of the album will become a members only release on Bandcamp which can be accessed here. The album was recorded live at the Asylum Chelmsford by Short Stack studios and features the A Crisis of Faith album in full and includes two tracks from The Waystone that features founding members of the band Dan Mailer and Josh Moreton.
Kaine’s regular rehearsal rooms, Pioneer Music in Colchester have now closed after 13 years of service to local bands and musicians. It is an end of an era for the band who will be returning to rehearsal in a few weeks to resume work on the bands new album.
“Hi all, to those who don’t already know, I am closing Pioneer Music in the next week or so.
I’ve been thinking about moving on for a couple of years now, and having a pretty empty studio for almost a year has helped me make that final decision.
I’d like to thank everyone for their support over the past 13 years, I won’t start naming names because there are so many and I am bound to forget important ones!
Also I’d like to wish everyone good luck with their future plans, whether it is music or not, I wish you all the very best. It’s been a blast and I have tons of great memories of working with you all, for which I am eternally grateful.
So long and thanks for all the fish.” – Matthew Abbott
Kaine started rehearsing at Pioneer Music back in 2011 and every line-up of the band has rehearsed there, bar the original since the original band formed in 2009. We would like to thank Maz for his many years of excellent service to the local music community as well as treating us exceptionally over the past ten years, which included collecting Liam’s keys from the roof of Bartech!
The album, originally released in 2014 has sold out for the 4th and final time on CD with vinyl version having sold out a number of years ago. A full statement on how many copies were sold/streamed will be released at a later date. The Waystone is Kaine’s best selling album and best known for the lead single “Iron Lady”.
There will be no further print runs of this album, it has been removed from digital platforms and will become a Bandcamp Members only release which can be found here along with many other exclusives including the bands debut album Falling Through Freedom, which is also no longer available to buy. Some copies remain on re-sellers sites such as Discogs which can be found here.
The band re-recorded for of the songs from the album for a limited edition EP release which can still be bought on CD here. Less than a 100 copies remain to buy on CD. A handful of Waystone patches are also available to order here. Both of these were released to celebrate the 5 year anniversary of the original album.
Kaine’s second album The Waystone is close to selling out on CD for the 4th an final time. The Waystone is still the bands best selling album which released 6 years ago in 2014. The band in this era completed two tours, a UK tour and a Britain and Ireland tour supporting Mordred. Kaine also played Wildfire Festival 2015 in Scotland alongside Diamond Head, Tygers of Pan Tang, Holocaust and more.
The album has already been removed from streaming platforms such as Spotify and will be members only on bandcamp after the final 6 copies are sold. You can order one of these CD’s from here, which are cheaper direct from the band than on reselling sites. There is also a handful of patches available to buy on the merch section of Bandcamp.
There are only 5 copies remaining of Reforge The Steel available on CD. The album was released last October and is close to selling out for the first time. The album will not be printed in this format again, so if you wish to order one of the first prints of the album before they are gone for good please click here. The album will be reprinted in a different format for the second print run at a later date.
Stocks are also low for the following items which will not be printed again:
The Waystone Album CD – 14 copies remaining
A Crisis of Faith Album CD [EU Edition] – 8 copies remaining
A Crisis of Faith Live Album CD – 4 copies remaining
We now only have the following numbers of each item left in stock:
The Waystone Album CD: 21
The Waystone Patch: 12
The Waystone EP: 113
A Crisis of Faith UK CD: 91
A Crisis of Faith EU CD: 22
A Crisis of Faith Vinyl: 172
A Crisis of Faith T-Shirt: 3
A Crisis of Faith Live: 25
Kaine X Live Double Album: 6
Kaine X Live DVD: 64
Kaine X T-Shirt: 10
Reforge The Steel CD: 12
Reforge The Steel Live CD: 47
Every item bar Reforge The Steel CD will not be printed again though the next Reforge The Steel CD will be released in a different format to the 1st print. All the albums bar Reforge The Steel will become Bandcamp members only once they have sold out with some limited availability for A Crisis of Faith and The Waystone EP on some select streaming sites.
The earlier prints of the CD and Vinyl are very expensive on re-selling sites so to get the merchandise from the band at the best price please click here to order now. Once its gone, its gone for good!