Bandcamp Sale in Response to Bandcamp waiving revenue share on all sales this Friday

We will be holding a one off Bandcamp sale tomorrow in response to fees being waived by the site in response to the current Covid-19 pandemic. We will be passing on these savings to you, we have many limited items that will be available to purchase which once sold out, will be gone for good and these included Kaine X items, A Crisis of Faith items, Waystone items and many more. Kaine members will get an additional discount.

We’ll still be offering free downloads to anyone currently unwell or stuck in self isolation – for details please click here – https://kaine-metal.com/2020/03/16/free-download-code-for-those-currently-in-self-isolation/

See Bandcamp’s statement below:

“The Covid-19 pandemic is in full force, and artists have been hit especially hard as tours and shows are being canceled for the foreseeable future. With such a major revenue stream drying up almost entirely, finding ways to continue supporting artists in the coming months is now an urgent priority for anyone who cares about music and the artists who create it. The good news is that we’re already seeing many fans going above and beyond to support artists across Bandcamp.

To raise even more awareness around the pandemic’s impact on musicians everywhere, we’re waiving our revenue share on sales this Friday, March 20 (from midnight to midnight Pacific Time), and rallying the Bandcamp community to put much needed money directly into artists’ pockets.

For many artists, a single day of boosted sales can mean the difference between being able to pay rent or not. Still, we consider this just a starting point. Musicians will continue to feel the effects of lost touring income for many months to come, so we’re also sharing some ideas below on how fans can support the artists they love and how artists can give fans new, creative ways to provide support.

It may sound simple, but the best way to help artists is with your direct financial support, and we hope you’ll join us on Friday and through the coming months as we work to support artists in this challenging time.

Ethan Diamond
Co-Founder & CEO
Bandcamp”

https://daily.bandcamp.com/features/bandcamp-covid-19-fundraiser

https://loudwire.com/bandcamp-donate-profits-artists/

The X Files – When former members have re-joined Kaine for one off appearances

The new live album available from our Bandcamp

December 29th, 2012 – Hole in the Wall, Colchester

Rage Sadler: Vocals/Rhythm Guitars
Dan Mailer: Bass/Vocals
Anthony Murch: Lead Guitars
Josh Moreton: Drums

Background: The band were offered a slot as a last-minute support for Coronach at the Hole in the Wall. Chris MacKinnon who had recently joined the band was unavailable for the gig so original drummer Josh Moreton filled in for the night where the band played its debut album Falling Through Freedom in its entirety for the first and only time.

May 16th, 2014 – The Barfly, Camden, London

Rage Sadler: Vocals/Rhythm Guitars
Dan Mailer: Bass/Vocals
Anthony Murch: Lead Guitars
James Balcombe: Drums

Background: James joined the band on the final show of the Renegades Tour with Monument when Chris had to perform for his university exams finals in Colchester on the same day. James joined the band for what was the most intense nights in the history of Kaine, as they dropped their association with MGR for management and as a record label that day due to incidents that occurred on that tour.

February 5th, 2016 – The Soundhouse, Colchester

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
Dan Mailer: Vocals

Background: Dan Mailer, who was at that time playing in Ipswich based Death Metal band Daemona joined the band onstage as guest vocalist for Solidarity during the bands set, a song which Rage broke a string and had to perform the final song of the night Quality of Madness as purely a vocalist. It was also the first gig the band played with the new four pieces line-up after Anthony Murch left making it the start of the Crisis of Faith era.

February 24th, 2017 – The Asylum, Chelmsford

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
Dan Mailer: Vocals
Josh Moreton: Drums

Background: This was the night A Crisis of Faith live was recorded the band played a large number of the new album songs before they were even recorded at this show and were joined by Dan Mailer on vocals for Iron Lady and Solidarity and Josh Moreton on drums for the Iron Lady, a song he had never played with the band before. Chris joined Dan Mailer in joint lead vocals for Iron Lady.

April 15th, 2017 – Hope & Anchor, Islington, London

Rage Sadler: Vocals/Rhythm Guitars
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
James Balcombe: Drums

Background: Chris was unable to do the show, so long time band friend James Balcombe of Osmium Guillotine stepped in to perform on the night for the second time. The set was recorded and is available to bandcamp members here.

May 20th, 2017 – The Smokehouse, Ipswich

Rage Sadler: Vocals/Rhythm Guitars
Stephen Ellis: Bass
Ant Murch: Lead Guitars and Backing Vocals
Josh Moreton: Drums

Background: Kaine were originally due to play with AJ Kemp of Dismanibus fame on Lead Guitar alongside Josh Moreton and Dan Mailer on bass as a special one of show playing songs from the original album. However, Dan was diagnosed with carpel tunnel syndrome (he and Josh were playing with Elimination at that time and on the same night for the bands 10-year celebrations) so had to drop out. Stephen Ellis was then drafted in to play bass, alongside Anthony Murch to play a set comprising of material from the first three albums. It was the first time Josh had performed with the band since 2012 and Anthony, which was 2015.

May 4th, 2018 – Voodoo Lounge, Stamford

Rage Sadler: Vocals/Rhythm Guitars
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass
Liam Etheridge: Drums
Chris MacKinnon: Vocals

Background: Chris joined the band on stage for Frailty of the Blade on vocals, the second time he had performed solo as a vocalist for the band the first being when he joined Dan Mailer to sing Iron Lady at the Asylum for A Crisis of Faith live. This would also be the last show played with Saxon and Stephen as official members of the band.

May 26th, 2018 – B2, Norwich

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Dan Mailer: Vocals

Background: Dan Mailer joined the band on stage, coincidently for another new line-up debut at the B2 Norwich for Iron Lady during his tenure as the lead singer of lone time Kaine friends and collaborators Osmium Guillotine.

July 7th, 2018 – B2, Norwich

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Ant Murch: Lead Guitars and Backing Vocals

Background: Ant Murch joined Kaine on stage to play an encore of songs from The Waystone and A Crisis of Faith eras including a solo trade off with Toby Woods.

August 11th, 2018 – Scruffy Murphy’s, Birmingham

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Dan Mailer: Vocals

Background: Dan Mailer again joined the band on stage for a rendition of Iron Lady with the Reforge The Steel line-up.

September 14th, 2018 – The Cavern CM7, Braintree

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Toby Woods: Lead Guitars
Isaac Healy: Bass
Saxon Davids: Lead Guitars and Backing Vocals
Dan Mailer: Vocals
Stephen Ellis: Bass

Background: Liam Etheridge was unable to perform at this show (which was Osmium Guillotine’s album launch) so Chris MacKinnon covered on the drums, Saxon Davids joined as an additional guitarist for a set which was a mixture of Crisis of Faith and The Waystone material which also featured Dan Mailer again on guest vocals for the Iron Lady and Stephen Ellis joined the band for the encore which was The Mind is Willing, the penultimate time that song would be played and that line-up would play together.

December 22nd, 2018 – Scruffy Murphy’s, Birmingham

Rage Sadler: Vocals/Rhythm Guitars
Liam Etheridge: Drums
Toby Woods: Lead Guitars
Isaac Healy: Bass
Saxon Davids: Lead Guitars and Backing Vocals

Background: Saxon Davids joined Kaine on stage for several songs from the A Crisis of Faith album.

April 27th, 2019 – Arts Centre, Colchester

Rage Sadler: Vocals/Rhythm Guitars
Chris MacKinnon: Drums/Vocals
Saxon Davids: Lead Guitars and backing vocals
Stephen Ellis: Bass

Background: After the Reforge The Steel line-up performed, the A Crisis of Faith line up closed the night as that line-ups final gig to celebrate the first 10 years of the band. A double album was recorded and released featuring both sets.

Kaine celebrate 10 Years this Saturday at Colchester Arts Centre

Check out the event page here.

Kaine will be celebrating their 10 Year Anniversary this Saturday with a show at Colchester Arts Centre. On Church Street, to the east of Balkerne Hill lies the former church St Mary at the Walls (now Colchester Arts Centre), built against the Roman Walls and overlooking the south western corner of the old walled town of Colchester. The empty church of St. Marys was converted for use as an Arts Centre, opening for business in 1980 and is one of the best live music venues in the country.

The band will be joined by A Bribe for the Ferryman, which features Kaine founding member Josh Moreton on drums, Osmium Guillotine who Kaine have played many shows alongside over the past decade to celebrate the event. There will also be Heavy Metal DJ sets throughout the night from The Massacre Metal Night.

Kaine will play two sets, one with the current line-up and one with the popular A Crisis of Faith line-up who will be playing their final ever show together as a four.

Tickets will be available on the door for just £5 with 50% already sold in advance of show. Doors are at 7pm. The night will be recorded by Pioneer Music Studio in Colchester for a live album.

KAINE’s DEBUT ALBUM SELLS OUT AGAIN ON CD

Falling Through Freedom

Kaine’s debut album Falling Through Freedom, originally recorded in 2011-12 and released in 2012 with a remastered version being released in 2017 has sold out again on CD. The album was recorded and produced by Ade Hare of Threecircles Recording Studio and is the bands only release to feature the line-up of Rage Sadler guitars/vocals, Dan Mailer bass/vocals, Josh Moreton drums and Anthony Murch on lead guitar. Ant Murch joined the band during the recording process of the album.

The albums most popular songs are Lost Sage’s Tower, Helpless Salvation, Waking Dead, Valnir and Quality of Madness which were a staple of the bands set for many years following the albums release. The album, although not critically acclaimed upon release helped launch of the band from relative obscurity to one that was regular booked on the British underground circuit and helped laid the foundations leading to 2014’s The Waystone.

Now the album has sold out on CD the album will officially go off sale and will not having further prints on CD, the digital version of the album will be members only in future.

Many thanks to everyone who has bought a copy of the album on CD since it’s original 2012 release. Kaine will celebrate 10 years of being a band on April 27th, 2019, and appearing will be Josh Moreton from Falling Through Freedom with his new band A Bribe for the Ferryman. Tickets for the show are available from the Arts Centre website.

Kaine 2018 Year in Review – To the End, and back…

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So, as you will recall towards the end of 2017 the band had just finished recording A Crisis of Faith and we were in the final mixing stages. I was in the process of sending the album to as many labels as possible in the hope someone even listen to it and to help promote the album throughout 2018 I had booked us a run of regular shows where I would hire the hall and promote myself due to the lack of active promoters on the scene in the hope that once the album was out that those shows would in fact act as our “market stall” as it were to draw people in, usually for free entry shows and then sell them an album and general merch on the night to help cover costs. However, the album was slightly delayed in it’s release so the first few shows we did we didn’t have an album to sell.

We started out in Stamford, the attendance on the night was reasonable given the fact the Voodoo Lounge charges on the door and we met a number of new people who would go on to become regulars at our shows throughout the rest of the year. We then did a couple gigs in Norwich which were also both reasonably well attended and then we were in Hertfordshire at St Albans and Welwyn Garden City, the Welwyn gig was a particular good one as it was rammed but it was the Friday before our biggest gig ever so initially 2018 started shaping up really well for the band leading to the album release and immediately after.

We released the album digitally through YouTube on February 4th. We did a special pre-order price of digital copies for £3 and £8 for the CD along with other options which did well. We did think more people would take a chance with the album for £3 then we actually made in terms of digital sales, purely as it was so cheap and while it did okay it was disappointing, we couldn’t sell more digitally at that price. CD’s continued to be the stronger for sales for us overall.

On February 18th we played a sold-out Birmingham o2 on the main stage for Hard Rock Hell Metal, for what was our biggest ever gig. It was utterly surreal and even thinking back I still don’t know how or why we were there playing the same stage as Grave Digger and Alestorm, but it happened and will easily be one of the best moments of my life. A few people assumed that this would launch the band onto the next level as the reviews of the set were all strong, people really got behind us on the day and it felt like something special had indeed happened. Sadly, this wasn’t the case and we didn’t get any bigger bookings, tour offers, label offers, management offers or the like off the back of doing that. While I was on the stage, I took it as a once in a lifetime experience, I knew that I probably wouldn’t get another shot at it so enjoyed every moment of being up there playing our music to such a big audience and on an amazing stage.

The album did well with reviews, but we were rejected by all the labels we sent it out to, as well as management and what not. I even gave a copy to Tobias Forge of Ghost in the hope he well may listen to it as he’s the biggest thing in Rock right now. We haven’t been helped by the way social media has changed since the last album. It’s become a battle of trying your posts to be seen and I expect theres a ton of people who are still unaware we even put the album out because platforms such as Facebook, Twitter, Instagram and the like simply don’t show them our posts, even if its paid advertising.

In fact, I am suspect even with the paid advertising about how many real people actually see it. Facebook used to be really good for targeting audiences and getting the right people to see your product but now it’s very hit and miss. We were even banned from promoting posts at one point and they couldn’t give us an explanation other then they didn’t support our business model. I did a lot of follow up trying to find what that meant and eventually they saw sense and let us promote our posts again, but still, very few people are seeing what we do and that’s a shame as we now have over 11k people on the page, of which a few hundred see what we do, and less than 50 will interact with it. Changes to social media platforms have in reality made them pretty useless for bands without huge budgets to be frank.

The majority of gigs we did in 2018 were self promoted. The idea as I said was to use these gigs as an opportunity to sell merch and the new album. The majority of the self promoted events were well attended, although we did have a few stinkers as everyone does now and again. I won’t be continuing this model as we didn’t sell as much merch as we would have hoped and most nights we were running at a loss after hire, soundman and promotion was paid and that’s even when the venues were rammed.

The only people benefitting from our shows were the venues themselves who were making on the bar, but they weren’t actively promoting the events it was all on me which is hard work even without taking into account all the organisation that goes into running a gig anyway. I can’t afford to keep losing money on running gigs and to not even cover costs means we simply cannot continue that. I do appreciate the venues allowing us to run shows with them, but equally they don’t even tell their own customers the events are on let alone do anything substantial on social media to promote them, so for them to have a well attended night and sell plenty of drinks on an event I have essentially paid for, promoted and organised to make a loss just seemed a touch unfair. It generally comes down to the problem many bands have in that music can be a hard sell, where as drink tends to be more popular! Iron Maiden were smart enough to get into both!

I don’t want to get into this next bit too much as I have covered it several times, but we had played a great show in Ipswich at the end of March and I had invited the guys over to sign a ton of CD and merch orders we had online when the walls started to fall in. We had taken the April off to write the follow up to A Crisis of Faith so all the plans were in place to begin. Chris after the signing then informs us, he has to leave the band to be able to make a living elsewhere, he had been in the band 6 years but through everything we hadn’t “made it” and he needed to get his life on track and simply couldn’t afford to be doing what we were doing any longer. I thought the band was dead at this point and had pretty much told him that had probably killed us, not long after the album release it was a body blow that the majority of bands wouldn’t recover from.

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I talked about continuing with Stevo and Saxon and we tried out Liam on drums during the April break, playing our first gig with him on the 20th at the Dev. It was at this point that Saxon called me to say he was also leaving the band as he had decided to in short, leave the country. After I got off the phone with Saxon I called Stevo to offer him his release from the band, as he hadn’t been happy with the fact Chris had left anyway and I am of the view that you simply cannot continue with an unhappy camp and it’s best just to end it. I know a few people still believe there are personal issues between us, and that I was somehow to blame but it really isn’t the case and we are all still friends and are in regular contact even to this day. I then called Liam and explained what had happened, we agreed to try and find a new line-up but accepted the band was probably dead.

We played our final official gig with Stevo and Saxon on May 4th, Chris even joined us on stage for a bit. I actually broke down in tears on stage and after, I thought, well, this is it, after 9 years of solid graft to build this band, it was dead. I had written my retirement statement shortly after, ready to post, and my plan was to entirely give up music and vanish into the background. It was over, I was now a 32 year old man who’d been trying everything to make it a success but had ultimately failed and it was time to accept my fate. I do believe that the fact the line-up ended so quickly after our album release as one of the reasons the album was slow to sell to begin with as people had assumed it was game over.

Saving the band at this stage was my biggest ever challenge and by some miracle it actually happened. Toby had gotten in touch on the morning of the resignation announcement of Saxon and Stevo, I hadn’t slept very well given what was going on and woke up to see he was asking to try out, I said that was fine and arranged a rehearsal for the Saturday. Saxon sat in on the try out to help out, along with Stevo and Toby performed amazingly well so we offered him the spot in the band. We then asked, “you don’t know anyone who can play bass do you?”. Turns out he did, so we played our next show on the 19th with Toby, but in the morning, we had in fact tried out Toby’s friend Isaac on bass and invited him to join the band. We played that last show with Stevo and the new band debuted in Norwich just 7 days later. The miracle had happened, the band had been saved. To be fair on Chris, Saxon and Stevo they had all said they’d remain with the band until a new member could be found so there was never any threat of the band cancelling gigs, and they did just that, it just happened a lot quicker than many would expect.

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What I will say, which isn’t well known is that when the members left, I had, out of respect for those musicians, offered the spots firstly to the members who appeared on Falling Through Freedom. Naturally they declined for a myriad of reasons as they all had projects and situations that would prevent them from re-joining the band at that time. All three of those guys, Josh, Dan and Anthony put a lot of time, effort and money into Kaine and I wouldn’t ever not offer them a spot in the band because I appreciate what they did to help create it, and the music we are known for now. It’s the same for the Crisis line-up. While I am the guy people know Kaine for, the reality is I would have been nothing at all without the other musicians that contributed to the band over the years.

People were surprised and cautious about the new line-up arriving so quickly after the old one. There was an expectation that the band wouldn’t be as good or would sound so radically different it wouldn’t be the same. Those who saw us, were very surprised that not only was this band was good but it still sounded like Kaine.

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Proving myself again was the main focus after the line-up had been put into place and I decided to write an album which over the last few months I’d been teaching the new members and rehearsing it with them every Saturday since. We have since played 22 gigs with that new line-up, we’ve had guest spots from Dan, Anthony, Chris, Stevo and Saxon since too. There have only been a few bad gigs out of those 22 we had, the worse two was a show in Swansea attended by two people and where we had merch stolen and we played a Skatepark music day which every had left by the time we played, including the event organiser, and played to four people! My amp also died so that was a top night. We’ve also played in London more regular with this line-up which has been really fun as we’ve started to connect with the scene down there more than we have had for years.

This month we have started recording the new Kaine album with the material written and rehearsed over the last few months. I am still a bit in disbelief that we pulled it off. We spent two days tracking the drums last week and Liam performed amazingly well for his first say in the studio and impressed throughout. The new Kaine music, still sounds like what we had done in the past, but I have gone for a more straightforward Metal direction on this album with big chorus’s. I really look forward to finally recording it, I have been really working on my voice so it’s even better for this record too as I need to be able to deliver on this album, as well as my guitar playing probably being my best ever right now.

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Finally thank you to everyone who stuck with me and offered support throughout 2018, easily the hardest year I have had with the band and thanks to Liam, Toby and Isaac for coming on board and helping me continue the band. I am going to start pushing the 10 year show again after the new year, if you haven’t got tickets and want to see all the band members again one last time and help us celebrate in a great venue as well as get a ton of merch for free I encourage you to buy tickets for this event.

Love, Rage

Reforge The Steel – A New Era Begins [Blog]

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So, it’s roughly 9 months on from when the walls started to fall in on Kaine, with Chris, Saxon and Stevo departing in quick succession after releasing the A Crisis of Faith album. I thought it would be a good time to update people on exactly where we are now. I had taken then band off the road during April to begin writing the new Kaine record when it all fell apart.

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In the months that followed the departures, we put a lot of time into rebuilding the band and getting the new line-up to gel. We have been rehearsing pretty much constantly since the new lineup formed, we had our first gig together in Norwich on May 26th and have played 22 shows together since this band got together. We have gradually eased the A Crisis of Faith material out of the set and have replaced it with new material. When the previous band split up, I decided to start working immediately on a new record and wrote a number of songs that I have been revising since May, and that the band have been rehearsing and playing live. We are now playing sets almost entirely comprised of this new material, we have almost finished the final demos for the new album and we’ll starting to record it at the end of this month.

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I said in a previous blog that if I could turn it around and save Kaine after the entire line-up split up earlier this year that would be my greatest achievement in music. I can safely say hat so far it has been, and to be frank it has been nothing short of a miracle. I can honestly say my “retirement” speech was typed out and ready to go live, and I’d already talked to Liam, who joined in April, about the end of the band. My intention was to call it quits and leave music entirely.

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Fortunately, we were able to save it. It has been a lot of work, many long rehearsals and naturally we’ve been trying to convince people the band is still as good as it ever was on the road, which many people agree it still is but some I can tell still need to be won over, but this is to be expected with such a radical change. There is a mentality about line-ups that still exists within the minds of many music fans, that somehow the line-up is almost sacred and when that changes so does the band, and in some cases that is right but people will find the new material will sound very much in line with what we have done in the past. Many also didn’t realise that I was the only original member in the past line-up anyway.

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I am looking forward to getting this new record out there and hopefully the band can recover and push on from here. We’ll be entering our tenth year come 2019, and it’s been a hell of a ride so far even if we haven’t quite made it yet. We’ll be celebrating the 10th anniversary with a show at Colchester Arts Centre in April, which will be supported by A Bribe for the Ferryman and Osmium Guillotine. Dan and Josh will be joining me on stage for some early Kaine material as well as the final ever performance of the A Crisis of Faith line-up. We’ll be giving away a live album and a t-shirt with every ticket, which can be ordered here.

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Alongside writing, rehearsing and preparing for the new Kaine album, I have been doing the washing up in the background of all the follow up releases from A Crisis of Faith. I was able to design and release the new vinyl with the help of Pointy Halo Productions to ensure that sounded top, and I have to say it’s the nicest thing we’ve produced merch wise to this date and of course I had to release A Crisis of Faith live. This was recorded last year early on in Chelmsford at the Asylum by Short Stack Studios but with everything that happened, had to be put on a back burner while I rebuilt the band. Previously Dan and Chris were the bands two audio guys, I never dabbled in mixing or editing, anything like that but with those talents both departing I had to learn and thus the live album is my first ever go at doing any production ever. You can grab a vinyl from here and a live album here, both are limited and once they sell out, we won’t be doing any more.

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Finally, the new album is coming and will be released next year – the theme of the album is the re forging of the band, rebirth and moving onto the next stage. There is a lot of optimism and hope with the new line-up that we can in fact turn it around.
As ever, I thank everyone who stuck by me over the last 9 months and offered their love, support and guidance to keep going and I hope sincerely that I haven’t let you down. I really hope you enjoy this new album.

Love, Rage

A Crisis of Faith Live – Now on Sale!

A Crisis of Faith Live is now available for a limited time on CD and Digital. Kaine members and Elite album buyers get the album for free – to order your copy please click here.

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A Crisis of Faith – Live [Releases tomorrow]

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Kaine are to release new live album tomorrow on CD and digital. The album will be available for a limited time only and much like the Ghost version of A Crisis of Faith, once it’s sold out there will be no more made available after.

A Crisis of Faith Live is the final release from the A Crisis of Faith line-up, recorded at the now closed Asylum venue in Chelmsford during 2017, featuring early versions of the songs on the then yet to be recorded A Crisis of Faith, including two additional tracks from The Waystone featuring the bands founding members in guest appearances.

To get 10% off the CD order, and the entire back catalogue for free on digital you can join as a Kaine member here in advance of the release. The 10% off will apply to all future orders and you will receive all albums for free digitally in the future. Elite buyers of A Crisis of Faith will receive the album on CD for free. Membership also includes items no longer for sale such as the original Kaine EP, Breaking the Surface Live, Killotine, Rock The Castle, Live at the Soundhouse, the Ghost tracks and more.

Arts Centre Show – Ticket includes CD, Shirt, Poster and more[Update]

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With every ticket purchase for our Colchester Arts Centre show in 2019, you get a CD, Shirt, Poster plus more to be announced with every ticket where can be ordered here.

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Kaine will be supported by A Bribe for The Ferryman and Osmium Guillotine, and will feature guest appearances from founding members as well as the A Crisis of Faith line-up.

Josh Moreton to rejoin Kaine for 10 Year Show in 2019 + A Bribe for the Ferryman added to line-up

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Kaine founding member and drummer Josh Moreton will be rejoining the band for the 10 Year Show to play songs from the band’s debut Falling Through Freedom. Josh’s last appearance in Kaine was in 2017 when he joined and one off line up of Rage Sadler and Stephen Ellis from the A Crisis of Faith line-up, and Anthony Murch who played guitar on both Falling Through Freedom and The Waystone.

Josh had a large hand in writing the first Kaine album and has since played drums in Dismanibus, Forged in Black, Deep Machine, Rezinwolf, Elimination and A Bribe for the Ferryman. Dismanibus will begin recording their second album tomorrow, which will mark his recording debut with that band. He also features as a guest on Kaine’s forthcoming live album A Crisis of Faith Live.

A Bribe for the Ferryman are one of the most popular local bands and recently shared the stage with Kaine and Osmium Guillotine for the launch of Osmium Guillotine’s new album. After the success of that night, and given how well received all three bands were, it made sense to ask them to join the night also.

If you have not ordered your tickets – you can do so here.