Kaine will be preparing for their return to gigging on July 9th today at rehearsals. The gig will go ahead despite the recent extension of restrictions by the UK Government as the gig will switch to the outside stage. Kaine will be playing alongside NWOBHM legends Rhabstallion and the Stonedead Villains which can both be heard here. Tickets are available from here. The July 14th show at CODA in Colchester is still to be re-arranged by the venue.
Today it was confirmed that the July 9th gig at The Victoria, in Coalville will be going ahead. Due to high demand for the event, the gig will move to the outdoor stage.
There will be an update on the Coda gig in the coming days.
Rage Sadler and Isaac Healy will begin tracking the rhythm guitars and bass for the new album at Unit One, Colchester on the 15th and 16th of June. The band will also be at Unit One today for weekly rehearsals.
Kaine’s upcoming gigs are likely to be postponed as the Government appears to be looking to extend the lockdown ending date to around July 19th. This will mean the bands shows at Coalville on July 9th and Colchester on July 14th will likely not go ahead. Kaine’s June date in Swansea was also cancelled by the Welsh Government due to Covid-19 infection rates beginning to rise again.
Kaine will again be back at Unit One next month to begin tracking the guitars and bass for the new album. The drums are still being worked on however good progress has been made with the new record.
We can also confirm that the bands Swansea show at Hanger 18 will be re-arranged. Presently the Welsh Governments restrictions are not enabling live music to come back unrestricted and the venue couldn’t have afforded to do the show with the limits on numbers at the venue in place. Hanger 18 were however happy with all the hard work done to promote the show and are keen to reschedule as soon as possible.
Kaine will be back at rehearsals today in Unit One.
The show at Hanger 18, Swansea on the 25th of June is cancelled and may be arranged for another date. We are awaiting further details.
Saturdays gig at The Music Room, Ipswich is a seated gig with table service only. This is to make the show as safe as possible and to limit the risk of the spread of Covid-19. Normally the band will have merchandise available at shows, however to ensure everyone’s safety the band will not be opening a merch table on the night and we will be distanced from the audience throughout.
If you wish to purchase any Kaine merch please head over to our Bandcamp here.
Kaine will head to Unit One Studio’s in Colchester today for their final album rehearsal session before they head into the studio next week to begin tracking drums for the new album. It will also be the bands final rehearsal before their sold out gig at The Music Room, Ipswich on May 22nd.
Our first gig was on May 26th 2018. It was one of our regular shows there as I had booked a reasonably busy schedule that year to help promote A Crisis of Faith. We arrived at the venue early and were chatting outside prior to load in when Dan Mailer and Josh Birch arrived together (from Osmium Guillotine) pulling up in the carpark, I had a half empty bottle of Coca-Cola which I was able to throw through the passenger window, past Josh’s head and straight into Dan’s face as he pulled up. Dan, looking for revenge, jumped out of his car and came charging up the B2 steps towards me, having forgot to put his handbrake on, turning to see Josh and his car going for unplanned trip into the Brickmakers beer garden!
The other amusing moment from that gig was the late great Wayne MacConnachie had arrived with Peter Keliris for the gig, he looked at me, looked at the guys and said “where’s ya band” obviously having not heard the news, I said to him that this was the band, he looked at me, looked at them “your fucking joking aren’t you?” I said the others had left the band and he was gobsmacked “they left you? They all left you? They all fucking left you?!”. Wayne simply couldn’t believe the last line up had left! That was sadly the last time I saw Wayne alive and were informed of his passing on the way to the Reforge The Steel Live recording gig in November 2019. We played a tribute to Wayne alongside Osmium Guillotine and Walk in Coma in January 2020 in Braintree.
Gent aka local legend Andy Martin opened the night, and Osmium Guillotine obviously also played. Dan Mailer jumped on on stage with us for the encore and all in all it was a successful first gig with very few mistakes. I think we genuinely shocked a few people. The band was formed in a fortnight and was already playing live, and to a good level, the transition seamless from the previous line-up.
Our next gig was a charity event in Long Melford, famous for being the place the legendary Hellfire Club was founded and much of the local folklore surrounds nefarious activities by the local nobles at Melford Hall. It is also famous for Beatrix Potter having stayed there. The gig itself was for our friend Bonnie Kelly’s fathers best friends memorial – Bonnie has her own band New Pages which can be checked out here. Toby and Isaac had to perform double duty as Cannon were also on the bill. Chris MacKinnon was also doing sound that night, obviously unable to stay away from us! After that we played the Unicorn in Camden for the first time. We would play a few gigs there in 2018 which were all really good, but weirdly after that we were never invited back! Kaine actually hadn’t played the gig since 2013 when we supported Canadian Metal legends Striker there! Again the gig went well and the band started to gel on stage.
After that we played with Alter the Sky at the Blue Moon, Cambridge. This is another venue we used to play a lot back in the day when it was the Man on the Moon, we even had a residency there for a bit in 2013. Again the show went incredibly well and people struggled to believe that this was a brand new band. We also started playing songs from Reforge The Steel around this time in the set as well. We were literally rehearsing, learning the Crisis material and adding new material into the set as well which really helped progress the Reforge The Steel album quickly.
It was in this period that I wrote the 8 tracks for Reforge The Steel at home. I decided that to prove the band wasn’t dead and this band was as good as ever, I had to get a new album out as quickly as possible. I wrote Reforge The Steel, Black and Rebirth first, Wake was a song and I and Saxon Davids started working on some years previous that we even played live in instrumental form toward the back end of 2017, and songs like Master of Mankind and In Cold Light were written later with Loudwire being the last one I think I wrote for that album. It was important to show the world that we were still going and that is why Reforge The Steel came out so soon after A Crisis of Faith. We just learned the new songs between the Crisis material, and then played them live to iron out the cracks. It was a very busy period for the band. I had also started a new job around that time, which was less all over the place then the warehouse work but infinitely more stressful!
We had another gig at the B2 in July. Anthony Murch joined us for a few songs that night and a solo trade-off on stage, which I part inspired the ending of Master of Mankind! As Ant arrived the venue I was able to sneak around his car with a traffic cone, and block his door off so he couldn’t get out of his car! Is it any wonder people leave my band….Having looked back at the dates we had a very busy 2018! We were back at the Unicorn that month and also played our first and only gig at The Rock Den in Hatfield, another venue we’d previously been a resident band at.
At the end of July we played Swanfest at the Swan, Ipswich in what was one of the hottest gigs I have ever played. Long term band friend Adam Prowse (who had played bass in Cardinal) joined us for the encore on vocals. The Swan is famous for having Ed Sheeran play there before he was famous. Ed recently having sponsored Ipswich Town Football Club, my football team and is famous for other things, but for me that’s the most important! Much like me he’s a regular at Town games, but at least he has a successful musical career to drown out the misery! It’s good to see him plough some money into the club under the new owners, but having said that if the club dropped any lower then I could have probably afforded to buy it, let alone sponsor it!
So I thought I would give a little detail on our early gigs as a band. It’s weird to think this was all three years ago now. I will cover the back end of 2018 and the start of the recording of Reforge The Steel next week.
We return to Unit One to continue our rehearsal sessions for our new album today. The drum recording sessions are now booked for the new album later this month with more details to be announced on the recording soon. The band is also working on their set for the 22nd at The Music Room, Ipswich which is now sold out.
What are the highlights from your three years in Kaine?
Obviously, the first two that come to mind are The 10th-anniversary show at Colchester Arts Centre and Burr Fest last year. The Arts Centre has always been one of my favourite venues and after seeing Dragonforce there on the Maximum Overload Tour I made it a goal of mine to play there at some point. The 10-year show was a really special night. I remember looking out from behind the curtain at the back of the stage just after Osmium Guillotine had finished and then being completely lost for words at how many people were in that room. I don’t think I’ve ever seen it that full before!
Then Burr Fest last year. I mean what a last gig before gigs were made illegal. Isaac and myself have been to the Dome a couple of times to see Band Maid and Man With A Mission. They were great shows and I always thought it would be great to play there. It was a little daunting being the first band on of the day as there were thoughts of no one being there when we started but luckily the place was nearly full when we started playing. It was a great feeling standing and playing on the same stage that I’d seen some of my favourite bands play on and was a great night overall.
What are the main differences from when you started in Kaine to now?
I would say my stage presence has greatly improved. When I first started with the band I would worry about getting the notes right more than actually performing. Over the last three years, I’ve become a lot more confident on stage and have found the gigs go better if I just have fun rather than trying to make everything “perfect”. I’ve also come a long way as a guitarist. I’ve found that if I write solos that I can’t play then I have to get better so I can play them.
Other than that, I’ve got longer hair and some different guitars.
What was it like writing and recording Reforge The Steel?
Well, I think Reforge is a testament to how well the four of us work together. We had been playing together less than a year when we started recording. To have all the songs written and well enough rehearsed to start recording all within a year of meeting each other was quite impressive I think. The writing process was a lot of fun. We spent a while just jamming the songs that Rage had put together and adding our parts in until they were fully formed songs.
The recording was equally as fun. I really love when you start to hear the songs coming together as you gradually add more parts until the finished product is there. Obviously, some of the songs could have done with some more harmonies but they’ll have to wait for the next album!
What was it like recording The Waystone anniversary EP?
It was a great time reworking the songs in rehearsal to fit the current line-up. We have different styles to the line-up that was the album so it was fun putting our own spins on the songs. I’m really happy with how it turned out in the end. It was also great to throw the new song Monument on there as well. Whilst it was written a while ago it had never been recorded so it was good to be able to record it and put it out. That one’s also a lot of fun to play.
What are your contributions to the new album?
I have written two songs for the album and contributed my own ideas and guitar parts to the rest of the songs. This album has been a much more collaborative effort with some of the songs being written as we just jammed in the rehearsal room which has been enjoyable. My two songs are very guitar-heavy and I tried to make them faster paced so that they’re harder to play.
Are you looking forward to recording again?
I am. I always love going into the studio as it always inspires new ideas. You think you know everything that you’re going to record but then once you’re there, you find different things that you can add to make the songs heavier or add more harmonies.
Are you looking forward to playing live again?
Of course. The lack of gigs has been frustrating to everyone so it’ll be great when we can play loud for some people again. It’s been really exciting seeing all of the gig offers coming in recently and it’ll be wonderful being on stage again with my amp up too loud and unable to see the fretboard because my hair’s in my face and the stage lights are shining in my eyes. What a good time that’ll be.
What are your ambitions moving forward with the band?
I think the ultimate goal for all of us is Rockstar, isn’t it? Why would you be in a band and not want that? Whilst that would be nice I’d love for us to play some bigger venues with some bigger bands possibly. Would be nice to do a tour or two to see how that is. Another thing I’ve always been interested in is writing a concept album. I think it would be a challenge to try and get the whole album flowing with itself almost like one long song with one theme. I might have to give it a go.
What would be your dream gig, tour or festival to play with the band?
Absolute dream situation, I’d love to play the Budokan in Japan. So many of my favourite bands have played there and it would be awesome to be there playing. A sold-out world tour in sensible sized venues would also be nice. Just anything with a packed room of people who have come to see us really. We got a little taste of it when we played the 10-year show but I can only imagine the feeling of having that every night.