Rage Sadler and Isaac Healy will begin tracking the rhythm guitars and bass for the new album at Unit One, Colchester on the 15th and 16th of June. The band will also be at Unit One today for weekly rehearsals.
Kaine’s upcoming gigs are likely to be postponed as the Government appears to be looking to extend the lockdown ending date to around July 19th. This will mean the bands shows at Coalville on July 9th and Colchester on July 14th will likely not go ahead. Kaine’s June date in Swansea was also cancelled by the Welsh Government due to Covid-19 infection rates beginning to rise again.
Kaine will again be back at Unit One next month to begin tracking the guitars and bass for the new album. The drums are still being worked on however good progress has been made with the new record.
We can also confirm that the bands Swansea show at Hanger 18 will be re-arranged. Presently the Welsh Governments restrictions are not enabling live music to come back unrestricted and the venue couldn’t have afforded to do the show with the limits on numbers at the venue in place. Hanger 18 were however happy with all the hard work done to promote the show and are keen to reschedule as soon as possible.
Kaine will be back at rehearsals today in Unit One.
The “Reforged” version of Kaine reached it’s third anniversary, having formed on this day in 2018. The line up of Rage Sadler (rhythm guitars and vocals), Liam Etheridge (drums), Toby Woods (lead guitars) and Isaac Healy (bass) has released a studio album (Reforge The Steel), two EP’s (The Waystone and Kaine) and two live albums (Kaine X and Reforge The Steel Live) since their formation and is preparing to record a brand new album and EP this year.
You can read a recap of the last three years here.
UK underground Heavy Metal act Kaine are set to sign a management deal with Bonewood Music and will be henceforth managed by Scott Canty. Scott has a range of experience in the music business and will be developing a plan for the new album launch later this year.
Scott said: “Kaine have been on my radar for a while now – they have always been an extremely active band, and have an army of fans to show for it.
“Having spoken with Rage, it seemed not only the natural but also the perfect time to welcome them aboard Bonewood Music. We shall be helping them shape their next campaign, and grow their fanbase – not to mention it’s about time these guys had some top music videos, I’m sure the fans will be excited to hear that!”
“Watch this space, we have some big plans.”
Since 2014 Kaine had been managed solely by frontman Rage Sadler who added: “I have managed the band to the best of my abilities over the past 7 years, and prior to that before we had management. Although I have worked to keep the band going, I simply do not have the contacts, skills, or knowledge to take the band any further at this stage which is why working with Scott on the new era for the band was a perfect fit for us going forward. Naturally, our long-term goal is to progress our career further as a band and reach a wider audience starting with the brand new album.”
“This was the perfect time to make a change.”
The band will be issuing further updates in the coming weeks and will soon begin record the new album.
We’ve been looking back over the last 3 years as we reach the third anniversary of the new line-up coming together this week. Each article above covers the A Crisis of Faith line-up ending, and what Liam’s, Toby’s and Isaac’s reflections are from the last three years with the band. We’ve also covered some of the earliest gigs with the band.
Our first gig was on May 26th 2018. It was one of our regular shows there as I had booked a reasonably busy schedule that year to help promote A Crisis of Faith. We arrived at the venue early and were chatting outside prior to load in when Dan Mailer and Josh Birch arrived together (from Osmium Guillotine) pulling up in the carpark, I had a half empty bottle of Coca-Cola which I was able to throw through the passenger window, past Josh’s head and straight into Dan’s face as he pulled up. Dan, looking for revenge, jumped out of his car and came charging up the B2 steps towards me, having forgot to put his handbrake on, turning to see Josh and his car going for unplanned trip into the Brickmakers beer garden!
The other amusing moment from that gig was the late great Wayne MacConnachie had arrived with Peter Keliris for the gig, he looked at me, looked at the guys and said “where’s ya band” obviously having not heard the news, I said to him that this was the band, he looked at me, looked at them “your fucking joking aren’t you?” I said the others had left the band and he was gobsmacked “they left you? They all left you? They all fucking left you?!”. Wayne simply couldn’t believe the last line up had left! That was sadly the last time I saw Wayne alive and were informed of his passing on the way to the Reforge The Steel Live recording gig in November 2019. We played a tribute to Wayne alongside Osmium Guillotine and Walk in Coma in January 2020 in Braintree.
Gent aka local legend Andy Martin opened the night, and Osmium Guillotine obviously also played. Dan Mailer jumped on on stage with us for the encore and all in all it was a successful first gig with very few mistakes. I think we genuinely shocked a few people. The band was formed in a fortnight and was already playing live, and to a good level, the transition seamless from the previous line-up.
Our next gig was a charity event in Long Melford, famous for being the place the legendary Hellfire Club was founded and much of the local folklore surrounds nefarious activities by the local nobles at Melford Hall. It is also famous for Beatrix Potter having stayed there. The gig itself was for our friend Bonnie Kelly’s fathers best friends memorial – Bonnie has her own band New Pages which can be checked out here. Toby and Isaac had to perform double duty as Cannon were also on the bill. Chris MacKinnon was also doing sound that night, obviously unable to stay away from us! After that we played the Unicorn in Camden for the first time. We would play a few gigs there in 2018 which were all really good, but weirdly after that we were never invited back! Kaine actually hadn’t played the gig since 2013 when we supported Canadian Metal legends Striker there! Again the gig went well and the band started to gel on stage.
After that we played with Alter the Sky at the Blue Moon, Cambridge. This is another venue we used to play a lot back in the day when it was the Man on the Moon, we even had a residency there for a bit in 2013. Again the show went incredibly well and people struggled to believe that this was a brand new band. We also started playing songs from Reforge The Steel around this time in the set as well. We were literally rehearsing, learning the Crisis material and adding new material into the set as well which really helped progress the Reforge The Steel album quickly.
It was in this period that I wrote the 8 tracks for Reforge The Steel at home. I decided that to prove the band wasn’t dead and this band was as good as ever, I had to get a new album out as quickly as possible. I wrote Reforge The Steel, Black and Rebirth first, Wake was a song and I and Saxon Davids started working on some years previous that we even played live in instrumental form toward the back end of 2017, and songs like Master of Mankind and In Cold Light were written later with Loudwire being the last one I think I wrote for that album. It was important to show the world that we were still going and that is why Reforge The Steel came out so soon after A Crisis of Faith. We just learned the new songs between the Crisis material, and then played them live to iron out the cracks. It was a very busy period for the band. I had also started a new job around that time, which was less all over the place then the warehouse work but infinitely more stressful!
We had another gig at the B2 in July. Anthony Murch joined us for a few songs that night and a solo trade-off on stage, which I part inspired the ending of Master of Mankind! As Ant arrived the venue I was able to sneak around his car with a traffic cone, and block his door off so he couldn’t get out of his car! Is it any wonder people leave my band….Having looked back at the dates we had a very busy 2018! We were back at the Unicorn that month and also played our first and only gig at The Rock Den in Hatfield, another venue we’d previously been a resident band at.
At the end of July we played Swanfest at the Swan, Ipswich in what was one of the hottest gigs I have ever played. Long term band friend Adam Prowse (who had played bass in Cardinal) joined us for the encore on vocals. The Swan is famous for having Ed Sheeran play there before he was famous. Ed recently having sponsored Ipswich Town Football Club, my football team and is famous for other things, but for me that’s the most important! Much like me he’s a regular at Town games, but at least he has a successful musical career to drown out the misery! It’s good to see him plough some money into the club under the new owners, but having said that if the club dropped any lower then I could have probably afforded to buy it, let alone sponsor it!
So I thought I would give a little detail on our early gigs as a band. It’s weird to think this was all three years ago now. I will cover the back end of 2018 and the start of the recording of Reforge The Steel next week.
The new version of Kaine was officially formed on May 12th 2018. But How did we arrive at this point?
The original band had been formed in 2009 and had had various line ups over the years, the people in the band would usually gradually change over time so things didn’t seem so radical to the wider audience. However in 2016, following the departure of founding member Dan Mailer (bass/vocals) and Ant Murch (lead guitar) in 2015 the line-up of myself, Chris MacKinnon (drums), Saxon Davids (lead guitar) and Stephen Ellis (bass) formed in 2016. Dan and Ant had been known to most people as they had both performed on our first two albums, Dan had left in August 2015 and Ant left at the close of play in 2015. Stevo had been with us a few months already when Anthony departed, and Saxon first joined the band in 2014 as a substitute for Anthony on a tour he couldn’t do and just remained in the band from that point alongside Anthony so the transition between Dan and Anthony departing didn’t seem that different or radical to those who had followed us for years.
The 2016 version of Kaine would go on to be a very popular line-up, from playing our regular shows at The Soundhouse in Colchester, the Asylum in Chelmsford, the B2 in Norwich and The Smokehouse in Ipswich among others. We built up a real following of regular gig goers and supporters during that period and began to write a new album, which would eventually end up being A Crisis of Faith, an album which we played most of the stuff live before we recorded it. There was a real emotional attachment between that group of guys and audience throughout that period and real desire to see us do well. We released A Crisis of Faith in early 2018, and although our fans loved it, it was largely ignored by the wider Metal audience and it didn’t really pick up much steam. Because it took a more modern, proggier direction from our previous release The Waystone it was met with a lot of criticism from the New Wave of Traditional Metal community and it generally didn’t go down well with that audience. We had a number of gigs booked and were also on the biggest festival billing we had ever been on, at Hard Rock Hell Metal 2018 playing the same stage as Grave Digger. We played the gig and we went down a storm at the sold out o2 Academy, Birmingham and it looked like to many on the outside that things were about to happen for the band.
Sadly, life doesn’t work out that way.
Internally within the band there were a number of personal circumstances that would force change. Chris was the first to depart not long after that in April, but this was largely an expected departure due to Chris own circumstances and thus I had already sounded out Liam Etheridge as a potential replacement. Liam is someone I knew from way back as his old band Asylum had played with Kaine on a number of shows, someone who I knew was a good drummer and a decent guy and someone who I thought would work really well for the band. I did however offer Josh (or original drummer) the opportunity to come on board again if he would like to, but he was busy with A Bribe for the Ferryman and Dismanibus at that time as well as working with Elimination. Chris formally left the band and Liam came in the week later, rehearsed and we were back to gigging almost straight away with no downtime. Stevo however had said to me at this point that he didn’t enjoy playing in the band without Chris and said he would stick it out but was generally unhappy.
A few weeks go by and Saxon calls me to inform me that he was leaving the band to move to America to be with his then fiance. I accepted his resignation and then called Stevo to offer him his release from the band. Both agreed to stay as long as it would take to find replacements.
I called Liam and gave him the bad news, and we agreed that it was probably game over for Kaine but we would see what our options were and try and keep it going.
I offered Dan and Anthony their old spots back, but Dan had recently joined Osmium Guillotine as a vocalist and was suffering from carpel tunnel syndrome which was restricting what he could do on bass. Ant was playing in covers bands and couldn’t commit to Kaine at that stage. People may think its strange to invite former members back to the band but I feel its a matter of courtesy. Josh, Dan and Ant poured a lot of their own time and money into Kaine in the early years and the band simply would have never existed without them. The least I can do is offer them their position back if it comes up. I never want to be one of those musicians who never asks someone back or holds grudges about departures. Life happens. People have their own reasons for leaving bands, usually varied and you can’t take it personally and you have to respect what they did to help make that band happen to begin with. We wouldn’t exist without those guys, or anyone who has been in the band these past 12 years and they deserve the credit for what they contributed. I knew they couldn’t come back, it’s just a matter of respect, and I respect them enough to ask, even if it is a “no”.
So, the night of the departure announcement I put up an advert for both positions and go to bed thinking that it was probably game over. In fact I had written a retirement statement that night anyway as I had fully expected it was game over. At that point in my life things were a bit of a nightmare anyway, I had started shift work in a warehouse after being made redundant the year previous from a job I had been at for a long time. I was working hard and my hours were all over the place, so my brain was scrambled trying to adapt to that on top of the band imploding suddenly immediately after an album release. I also had a ton of unsold CD’s, shirts and vinyl’s from that release which probably cost me close to £10k to produce altogether that without a band, wouldn’t have been sold so I was in a bit of a desperate situation financially as a result. I am not a wealthy man, so spending that sort of cash (not all at once might I add) on making that recording and then printing the CD’s, Vinyl and shirts to not sell them would have been a huge issue as I wouldn’t have had money to survive on! I think it’s worth pointing out that there are no issues between myself and any of the members from the A Crisis of Faith line-up. That is not the reason the split occurred. As with anything, its more complicated than that and I respect their decision to leave the band.
A few people have had digs at me for my decision to continue the band. They probably don’t understand that the A Crisis of Faith line-up wasn’t the original band and we had always had changing members over the years. They also were probably unaware of the financially implications to me personally if the band did end. I swallowed all of the bands costs (and still do) and don’t get that money back without sales so for me to put out a record without selling it would have been financial suicide for me at the time. This wasn’t about my ego.
The next morning I was messaged by a guitarist named Toby Woods about trying out. I asked if he could do Saturday, which he could, which was just a few days away and we booked in a try out. Toby went away and learned the stuff. That day I had a message from Dan suggesting I try out “this guy” and sends me a video. He had tried out for Elimination when Dan was working with them and didn’t get the gig. It turns out that guitarist was Toby. Dan’s pretty good at spotting good players so that’s a good endorsement to have going into your first try-out with Kaine!
On the Saturday session at Pioneer it was myself, Stevo, Liam and Saxon with Toby. We go to start playing Heavens Abandonment from A Crisis of Faith and Toby just didn’t join in. I am thinking in my head, this isn’t good and look over to Liam who looked back at me in silent agreement. We stopped playing and asked if he wanted to join in this time. So we start and Toby then plays the song through exceptionally well. Relief. It turns out he was just watching Saxon to just get an idea of how he played the song! The rest of audition went perfectly and we offered him the gig, well Stevo did actually, which was a bit cheeky as he was leaving the band as well! But that was fine as we were in a agreement. We causally asked him as we packed down if he knew any bassists and he said he had a mate who could play bass. We asked if he could ask him to try out, and by that evening his mate was booked in for a audition the following week. Toby was announced for the band and Saxon had officially departed as of that point. He never did find America though.
The week after Isaac Healy, who Toby had played with in Cannon, tried out for the band. Myself, Liam, Stevo and Toby were present. Again it went well and he was offered the position, which he accepted. He and the new line-up were announced that night. Toby would have his first gig with us on the 19th (the following weekend), which would be Stevo’s last show, at The Smokehouse, Ipswich and the new bands very first gig would be May 26th at the B2 in Norwich and we have been together ever since.
During this period I started writing what would become Reforge The Steel. We would learn and work on the new songs between gigs and even began recording it in November 2018, just months after the line-up had changed and not even a year after A Crisis of Faith. We would continue to gig and work on the new album, Reforge The Steel until it was finally released in 2019. We’ve since played 40+ shows together (which would have been a lot more before Covid hit!) released The Waystone anniversary EP, two live albums, another EP and are just about to record a brand new album. This will also be the first time in the bands history that the same line-up has appeared on back to back albums.
I will cover more detail from the new line-up period in more posts throughout the week, I just thought this would be a good starting point to give more details on how this version of Kaine formed, and why.
What have been your favourite moments from your three years in Kaine so far?
For me, the highlights of my time in the band have probably got to be the 10-year anniversary show at Colchester Arts Centre and Burr Fest at The Dome in London with my favourite of the two being the 10-year show, which has been the gig with the best crowd so far.
I also got a dent in my new car trying to find somewhere to park at night in the rain for a crappy hotel that was possibly also a drug den so there’s that too.
How have you changed since joining Kaine?
I own more shirts without sleeves and more music equipment.
But seriously, I feel that I’ve become more confident and comfortable when performing on stage. Before joining Kaine, I pretty much stood still, not doing much. Obviously, I’ve still got room for improvement but I’m getting there. For the next album, I’ve adopted the use of a pick for most of the new songs as I feel the sound of it suits some of the material much better. It’s also given me the chance to get more familiar with a pick as I never really used one in the past, with the only song prior having me sometimes use a pick was “Loudwire” on Reforge. Also apparently a lot of venues have crap monitors for bass players, If I even get one that is. I recall one venue claiming that they can’t put the bass through the monitors, so that was fun.
What were your experiences recording Reforge The Steel?
Most of the main writing for Reforge had already been done prior to me joining the band. I mainly just worked on my own basslines. But I feel that a lot of the time everybody is subtly changing what they play over the course of weeks or months of playing the same songs. Even some of the songs that we have recorded already are played differently than what’s on the album versions.
Recording Reforge was fun as we hadn’t really been working together as a band for very long, although Rage and Liam had been working together for a little while before Toby and I joined. And Toby and I were previously in another band together for a couple of years.
All the rehearsals and gigs leading up to the recording of the album did not prepare me for the seemingly endless guitar harmonies that were added to the songs on Reforge, however.
How about The Waystone Anniversary EP? How did you find working on that?
The Waystone was pretty fun to record, as a lot of the album had subtle changes with everyone throwing their own takes and different influences on the original versions of the songs.
The title track was probably the most difficult to learn and remember each part, what with how many different sections the song has and the different time signatures for certain sections. We also came to a decision of changing the original bass focus intro and making the song more concise. I think it’s the only time in any of the songs we’ve recorded that feature bass tapping except for my version of the bass fill in “Fall of Jericho” when we play that live. Even so, the final recorded version was different from the original version I initially wrote. As I initially wrote it on the six-string bass, utilising the high C string but In the end, I recorded it on the five-string and decided to not go as high.
What have you contributed to the new Kaine album?
On the new album, I’ve got a song that I wrote most of but had some input from the rest of the guys, I also have another couple of ideas that I just haven’t put into music yet.
And obviously, I’ve been mainly writing and playing my own basslines for each song but have been simplifying them somewhat to suit the different nature of the new material. The new album has been a different experience to write, as most of it wasn’t written beforehand with us learning how to play it.
Are you looking forward to hitting the studio in the coming months to record it?
Well, I can’t really say I’m not at this point, can I? Anyone want to take bets as to how many extra harmonies Rage and Toby add to the songs?
In all seriousness, being in the studio can be frustrating when you keep messing up the same take, over and over but at the end of the day, it’s great fun.
Are you excited to play live again, now the band is clear to play again?
Since March 2020, we’ve had a total of 1 gig, which was a Livestream only gig a couple of months ago. I can’t wait to be back out playing especially with the 13 or so gigs we have booked for the next few months this year. It’ll also give me a chance to use my new Spector that has been in the past few rehearsal videos in a live setting for the first time.
What are your ambitions with Kaine moving forward?
Well hopefully, as well as all the gigs we currently have booked, it would be great to get to play some larger venues, even as a support act for some more well-known bands. Of course, a tour or two wouldn’t hurt either.
I’d also like to try and get an endorsement of some kind from one of the brands I use, even if it’s just cables.
What would be your dream gig?
For a dream gig or scenario, think it’d have to be headlining a sold-out tour, not even necessarily in massive stadiums or venues. Just decent-sized venues with great crowds, doesn’t even matter where in the world they are.
Kaine are about to finish the rehearsal stages on their new album and are preparing to enter the studio ASAP. They will be at Unit One Studios, Colchester again today to continue work on the new album. The band is also getting a number new of the new songs ready to play live when they return next month at The Music Room, Ipswich.
So far Kaine will be performing at the following dates with more to be announced:
May 22nd, 2021 – The Music Room, Ipswich [Tickets]
October 1st, 2021 – The Victoria Bikers Pub, Coalville [Tickets]
October 18th, 2021 – TBA
October 23rd, 2021 – The Victoria Bikers Pub, Coalville [Tickets]
October 30th, 2021 – Leo’s Red Lion, Gravesend
October 31st, 2021 – Trillian’s, Newcastle
There will be an update on the new album recording sessions soon. In the meantime the EP CD’s and T-Shirts are being printed. Shirts have been limited to those who have pre-ordered the CD with a limited number being available once they go on general sale.
The bands next project will be to write and record a new EP which will be exclusive to Patreon members.
Last week the band finished the studio scratch tracks for the 9 songs that will feature of the bands, yet to be titled, brand new album. Drummer Liam Etheridge also recently purchased all of the breakables required to begin tracking the new album and will be looking to be booking into the studio to begin recording the new album as soon as possible.
The band will be heading to Unit One Studio’s in Colchester today to continue rehearsing the brand new songs and preparing to play them live from May onwards. There is still some work to do on lyrics/vocal melodies for the new record.
Finally, in case you missed it, the band released a 12 track EP this week which is limited to just 100 copies on CD. Once these have sold out the EP will become a Bandcamp members exclusive. You can pre-order the CD with a limited edition shirt in your size here.