OPINION PIECE: SOMETHING NEEDS TO CHANGE IN METAL/ROCK JOURNALISM

We’ve all seen it, the clickbait posts.

There was once a time prior to every Slipknot release we would get Corey Taylors’ view on every matter from every available media outlet, presently we are getting inundated with things about Ghost since they found TikTok success with Mary on A Cross, apparently Sleep Token is the next big thing and we know Dave Mustaine was fired from Metallica 40 odd years ago, but for some reason, this story is repeated daily. This morning we learned about what Bruce Dickinson did when Blaze Bayley replaced him in Iron Maiden in slightly more recent times, 1994…

I have noticed these articles are getting two types of engagement. One group of responders are those who read the headline and not the detail and will comment on the headline only, without understanding the context of the headline or the quote in question.

One recent piece I read was about the challenges Dave Mustaine had replacing Dave Ellefson, organising the re-recording of the parts for the new Megadeth album, and then preparing a new line-up for a major tour, all of which anyone who’s been in bands will understand will know will be a stressful and difficult period. This was a small part of a recent interview where Mustaine talked about his success on his recent tour. In this, he spoke about how well the band had done, and he showed a great level of appreciation for the bands he had toured with.

It was an interesting piece, however the headline however simply said, “I know what it is like to have people gunning for me” in reference to how the music press had gone after Dave Ellefson immediately following the controversy, showing some empathy for his former bandmate.  The headline let down the article, which was actually a good one, a positive one. Because a large number of those who engaged with the article only read the headline, the response was overwhelmingly negative, assuming that this was again about Dave Mustaine and Metallica, which it absolutely wasn’t.

The other group who comments are those who are sick to death with seeing the same stories recycled by all the major outlets, the attempts to reignite a feud that finished decades ago and people’s opinions on stuff that frankly nobody cares about, just to get certain groups angry.

On the flipside the media outlets will argue, they post and write about this stuff because that’s what people engage with, but it’s almost all negative, whether it is people arguing over whether Sleep Token is the next big thing, how much they hate the latest Ghost single, or a falling out between the members of Journey.  But this negative content is pretty much all they write about, and it’s to win at algorithms and not contribute anything substantial to heavy music, or even the debate. They pander to the angry, not the interested. Surely there is something else, something better than just this to write about?

The whole Rock and Metal online environment has been turned toxic, and the music seems secondary to the online arguments and the drama.  In the U.K. we call these “Sun” “Mirror” or “Daily Mail” headlines used to get readers angry, and make a cheap political point but have very little substance. While it might generate engagement and a few clicks, it’s not going to be generating album streams, sales, or selling tickets to anyone’s gigs. We know that, as everything is declining.

I do think the silent majority are sick to death of the way things are presently, and do want something new. The media has the power to flip this on its head and to contribute towards growing streams, album sales, and ticket sales but instead, it’s choosing to go for cheap clicks instead. Is it any wonder so many of these outlets can no longer afford to print their magazines?

As I have stated, frankly, the silent majority want something new, the legacy bands are established, and they will always have a growing fanbase, they are not gaining anything from feuds from 40 years ago. People are getting fed up with this style of journalism which is doing a ton of damage to the Rock and Metal scene by encouraging its ugliest elements to continually engage with negative and angry content rather than celebrating the quality of the music, the live performances or the excitement at a potentially good new band. All the good going on is being lost behind the anger aimed at these clickbait articles, and the average music fan just wants something good to listen to, they don’t care about other stuff. These are the people we are turning away in droves by the media continuing to create this environment.

Do we see the same negativity ever being written about what say Ed Sheeran does by the “pop” media? No. Because they promote his music, and the qualities he has as a person, not whether he fell out with a mate when he was 19 while recording a demo. They are making big money with the positive approach. A lot could be learned from that.

While I appreciate that music is subjective, and not everyone will like every band, at the same time we have an absolutely thriving underground Rock and Metal scene here in the U.K. with hundreds of amazing bands which cover every heavy genre, from Hard Rock to Extreme Metal. We have bands with great songs, we have tons of great young bands who really can play their stuff live, they have great attitudes, and their own growing fan bases. There is something for everyone, every generation and every taste. This should be covered, but it is being completely ignored. For me, it’s a shame this is being ignored in favour of promoting negative headlines and feuds from half a century ago, or the latest TikTok success. I think that something needs to change in Metal/Rock journalism that helps promote the good that is happening, and not just focus on the negativity algorithm or trying to benefit from a social media flash in the pan.

That may upset a few influential people, or make me unpopular as a result, but this is how I feel.

Feature on Toby Woods [KAINE – LEAD GUITAR/BACKING VOCALS]

Today’s feature is on Lead Guitarist Toby Woods who joined the band just under two years ago. A guitar teacher by trade, he stepped in after A Crisis of Faith and helped write and record the latest album Reforge The Steel and this is what he had to tell us…  

When did you start playing guitar? 

I started playing at age 6 taking lessons at primary school. The first few years were on a nylon string classical guitar which I didn’t enjoy as much as I thought I would but at age 8/9 I got my first electric and that’s when it became a obsession.

Former Megadeth lead guitarist Marty Friedman with his hero Toby Woods

What were your biggest influences starting out?  

The reason I play guitar is because of the Darkness. I remember wanting to learn to play because I wanted to be the guitar player for the Darkness. AC/DC have always been a massive influence to me. As for metal, the first album I ever bought was Metallica’s Black Album so they have been a big influence on my playing as well. When I first started playing electric, I used to copy James Hetfield’s picking hand, gripping the pick with two fingers. Nowadays, anyone can tell you I’m hugely obsessed with Marty Friedman. Hes definitely my biggest inspiration at the moment.

Fellow East Anglian’s… The Darkness

You are a guitar teacher by trade, how do you enjoy teaching?  

I really enjoy it! It’s really special to be a part of someone else’s musical journey and helping them to progress. Plus I get to play guitar for a living, what’s not to love.

How can someone book a lesson with you? 

The best way to get a hold of me is to email twguitarist@gmail.com that’s where I deal with all of my lesson bookings and any music business.

Needs more harmonies….

You are a guitar enthusiast, how many do you currently own and what models and set ups are you using? 

I currently have 6 guitars: Gibson SG Standard; ESP EX standard; ESP LTD Gus-200; PRS SE Marty Friedman; Jackson Marty Friedman; and a Sigma acoustic. My collection has downsized massively. I decided to get rid of most of the guitars that I wasn’t playing. I’m a big fan of EMG pickups, the Marty Friedman set being the best set of pickups that have ever been made! I use D’addario 11-52 on everything along with Dunlop strap locks. I’ll hopefully add to my collection again soon.

And which amp are you currently using and why?  

I’m currently using a Hughes & Kettner Tubemeister Deluxe 40. It’s a really great sounding head and it’s small which is a massive plus. I went to Andertons with Isaac to get a new Head and Cab and after trying a few different brands, we plugged in the Hughes & Kettner and it blew every other amp out of the water. I only use the lead channel boosted with a Boss SD-1. It’s quite the tone. Every guitar sounds great through it as well. It sits well in the mix with Rage’s guitar tone and Issac’s bass.

Kaine X Live

What were your musical endeavours prior to joining Kaine? 

I had a lot of performance experience at secondary school playing lead guitar in our Schools AC/DC tribute band which was a lot of fun. Then when I got to college I was in a band with Isaac that we’ll get to in the nest question.

Toby and Isaac performed together in Cannon prior to joining Kaine

You and Isaac were originally in a band together called Cannon, when did that start? 

We started that with some of our college friends in 2015/16. We had a good time playing lots of local shows and putting on gigs at college with some other college bands that we were friends with. Our best show was our EP release gig at Colchester Institutes Swinburne Hall with our good friends State of Millennia, who have recently release their first album. We promoted the gig our selves and it was filmed for a YouTube release which might still be out there somewhere. That was a lot of fun.

Did you record any material? 

We recorded a five track EP called Time Machine which was fun to write and record but the band came to a natural end when we went our separate ways for University.

Cannon’s music video

You applied to try out for Kaine on the morning of the announcement of Saxon’s departure from the band, what drew you to want to join Kaine? 

I started off as a fan of the band. I had all the albums before I joined so when the opportunity to join came up I jumped at it. I was rehearsing the songs in-between giving guitar lessons at the primary school that I teach at. I wanted to make sure I knew them as well as I could for my “informal audition”.

Fun and games at rehearsals…

After joining the band you played one gig with Stephen Ellis on bass, how was that? 

That was a good gig. I was a little nervous with it being my first gig with the band but I new I was in good hands. Stephen is an awesome bass player so I was really pleased that I could share the stage with him.

From the Reforge The Steel photo shoot

You recommended Isaac Healy to the band a new line-up had been put together in a fortnight, what was it like to suddenly be in a whole new version of an established band, although also with Isaac who you knew? 

It was extremely exciting. I couldn’t wait to begin playing and writing and cementing my place in the band. I new that Isaac would be a good fit as bass player as we have played and rehearsed together many times.

Performing in Bury St Edmund’s in 2019

How long have you known Isaac and how long have you been playing together? 

We first met when Cannon started. We were on the same course at college but we were in different groups so we didn’t actually meet until the first Cannon practice. It turned out that we had a very similar music taste so we ended up going to a load of shows together with our friend Karl.

Cameron Heeps in action for Ipswich Witches

Your Ipswich Witches hat has drawn some attention, how long have you been a fan?  

I remember going to the good Friday races when I was much younger but me and My Dad have been going to meetings regularly for the last three years or so. I’m glad everyone has been enjoying the now named “harmony hat”!

Toby performed lead guitar and the solos on Reforge The Steel

Reforge The Steel came together quickly after the new band had formed in a fortnight, how was it to record a new album so soon after joining the band and what are your favourite tracks and solos from the album? 

The songs on the album came together really quickly which I think reflects on how well we all work together as a band. I’m very pleased with how it came out and i enjoy every song on it. I think my favourite solo is probably the one in “Wake”. This is because I tried to make this solo more melodic that some of the others. Whilst it’s always fun to shred away, somethings it’s great to put some feeling into the notes. I’m also quite proud the solo in “Black” because it was improvised in the studio so it has never been played the same again. My favourite track is “Reforge The Steel”. Its normally the song we open a set with so it’s always a fun one and packed with energy.

Toby on stage at Kaine X

You played both the packed out Kaine 10 year show at Colchester Arts Centre and Burr Fest with Kaine, how did you find doing those two big shows with the band? 

The 10 year show was definitely an amazing time. It’s a venue I’d always wanted to play a show at and it being very close to sold out made it even more special. It was great to have so many people come out to see us and really enjoying the music. Because it was so close to where I live, it was awesome to have my Mum and Dad there who have always been very supportive of my choice to pursue music and have always done everything they can top help me, whether it’s driving me to gigs so I can play or buying for that new guitar for my birthday that I simply must have! I hope I did them proud.

Playing Burr fest was also awesome. To play on that stage in front of all those people, some who knew us and some who didn’t was truly special. Hopefully we made some new fans that day. Its was great again to have my Mum, Dad and sister there because it was my Mums birthday so it was really meant a lot that she wanted to spend her birthday in London to see us play. It was also great to have my Sister taking some great photos of us all whilst we played our set.

From Colchester Arts Centre supporting Skiltron and Ethereal Sin

Being from the area, the Arts Centre is a special venue to you, what bands have you seen there? Also, you watched bands at The Dome before playing there will Kaine, what bands did you see there?  

My first ever gig was at Colchester Arts Centre seeing Dragonforce. After that gig, I said to my friends that I would one day play a show there! Since then, I have seen Cryptopsy, Crowbar, Limehouse Lizzy, Live Wire and of course Skiltron and Etheral Sin when we supported them. At the dome, me and Isaac have seen Man With a Mission and Band Maid there. I always thought that it would be an awesome venue to play as well. It was really special to stand on the stages that I have seen some of my favourite bands play on.

At Colchester Arts Centre earlier this year

You’re currently writing a new album during the lock down, you have put a couple of tracks together for it, how would you describe the new album so far and your tracks?  

One of the tracks I’ve put forward for the album is purely a show off tune for me. It’s a power metal-y neoclassical shred fest that I put together a little while ago whilst listening to a lot of power metal bands like Dragonforce and Galneryus. The new album is shaping up really well, we’ve all been sharing ideas and writing tunes during rehearsals for a little while now and it’s been really fun bouncing ideas off of each other. I cant wait to get the songs finished so we can start to bring them out live and record them.

Playing The Dome for Burr Fest

Are you enjoying the creative freedom in Kaine? 

It’s been really great to put my own touches on existing Kaine songs as well as being as creative as I can with writing leads when it comes to writing.

Isaac and Toby relaxing after a day in the studio tracking the EP

The band is releasing a new EP and live album this year, have you tried to give the Waystone EP your own flair?  

I tried to put my own spin on the songs where I could. This was mainly putting in my own solos and re-working some of the leads to fit them in better with my style. Other than that, I kept all the essential parts as they were. The live album will also be great when it comes out. It was a lot of fun to record.

From The Bassment, Chelmsford

How did the B2 live album night go for you? Did you enjoying doing the new album in its entirety live?  

It was a great show. It was really great to see so many people out to see us at the B2. It was awesome to play all of the songs live in one go. They’re all a lot of fun to play and seeing the crowds enjoyment made the show easy to play. Again, it was really great for my awesome Mum & Dad and wonderful Girlfriend there to support us a share another special Kaine moment.

Being heavily encouraged on stage…

You can hear Toby’s lead guitar work on the latest album Reforge The Steel by clicking here. There are still copies available on CD available from Bandcamp and is free to stream across all major streaming services (Spotify link included on the tab on this website). Toby also performed on the Kaine X Live Album and DVD which can be ordered here, as well as the The Waystone EP which can be pre-ordered here.