Kaine guitarist/vocalist Rage Sadler has completed the tracking of the 22′ EP guitars for the Falling Through Freedom anniversary set and remaining vocals for the new album After Extinction. These were completed with Talon Payne and Gallow Wood Media yesterday.
The bands new album is close to completion, on the 21′ Patreon EP the lyrics are being finalised ready for recording the vocals, and with the 22′ EP all that is left to track is the drums and vocals. All three releases have been delayed due to the backlog caused by the Covid 19 Pandemic.
Kaine have began tracking the Falling Through Freedom EP for the 2022 Patreon Package. The EP will feature 5 songs, two of which did not make the original album as part of it’s tenth anniversary release. The guitars and bass were tracked with Talon Payne of Gallow Wood Media on Sunday. The anniversary release of the album will be part of a 4 disc set, and will include a t-shirt and brand new EP. You can grab your copy here.
We’ve recently ran into a few issues with the new album which has caused some delays. Unlike previous records which were done in one studio, with one producer and over a short period of time, After Extinction has been a totally different process largely due to the Covid restrictions which have delayed the writing, rehearsals and recording of the album significantly over the past two years.
We out of necessity have tracked the album across two studios (Gallow Wood Media and Unit One) with Talon Payne and Wayne Thompson contributing to the recording, production and editing of the album while we have been mixing the album ourselves and with advice from an external studio. I have overseen the whole project between managing the day-to-day business of the band and my day job. We have also been back on the road gigging with Neverworld and Planet Fatale which has meant much of my free time has been focused on making those shows a success on top of looking after the new album project.
Recently this was pushed back when there was a hardware failure has resulted in further delays to the production after a handful of songs had been mixed, and between further revisions and contributions of the keys from Heidi Crowell. This hardware issue has now been resolved and we are now moving forward with the album release again.
So, while the songs have been tracked and are sounding great in the raw, we do need more editing and changes as we go through the mixing process to give this album the best overall sound possible.
We debuted a fair chunk of the songs like since 2020 and many will hear that this is a completely different direction from our previous releases and represents an overall change for the band which we have matched with our new stage aesthetics and our brand-new logo. The new album has a march harder edge than the previous and is an album more influenced by our Speed Metal origins as opposed to anything really rooted in the NWOBHM movement which we had moved towards during The Waystone period of the band.
That is not to say we have lost the melodic stuff at all, there is a ton of that on the new record, but the music overall and the subject matter is much more in alignment with what is happening in the world right now rather than being mostly influenced by the 1980’s. It is a Metal record, and if anything, our least mainstream sounding record, and probably our least NWOTHM sounding album and production, although it is not as modern influenced (or progressive) as the material on Crisis of Faith and a lot more refined than out debut release, I think the best way to summarize it is it is our heaviest and angriest release yet.
Lyrically we have touched on everything from battling Alzheimer’s disease, the culture war, drug addiction to the decline of western civilization and the evils of greed right through to the negative impact the existing Governments over-building policies have had on our environment. It is a bit more relevant lyrically than our past records I would say, it may upset a few people, but we have tried to keep it as balanced as possible.
While the album has been slow to put together, we have soldiered on with the 5 new songs for the Patreon 21’ EP having recorded the bulk of those and started rehearsals for the 22’ EP material, oh which the band has now learned 4 of the 5 songs on that release so substantial progress has been made. The 21’ EP was delayed due to Covid restrictions and the band having to focus on the new album release.
The 21’ EP is most definitely much heavier than the new album in places, but also has the most diverse range of songs. It is influenced by Speed/Thrash/Death Metal but there’s also a Sabbath inspired track on there and a song mocking industry created “alternative” bands that have come straight off a production line but sold as an organic thing.
Anyhow I thought I would issue this update on just where we are at with the 3 releases which we fully intend to get out this year.
We are pleased to unveil our brand-new artwork, and album title, for the new Kaine record to be released later this year. The artwork is again by Silencer8 who has designed every one of the band’s album covers since the debut album in 2012.
After Extinction will include 9 brand new tracks written and performed by the same line-up which recorded 2019’s Reforge The Steel, the first time the same line-up has appeared on back-to-back releases from the band. More details will be revealed at a later date.
Appearing on the record:
Rage Sadler: Lead Vocals and Rhythm Guitars
Liam Etheridge: Drums and Backing Vocals
Toby Woods: Lead/Rhythm Guitars and Backing Vocals
Isaac Healy: Bass Guitar
Heidi Crowell: Keys and Synths
Talon Payne: Backing Vocals
Kaine with Wayne Thompson and Talon Payne
Recorded by: Wayne Thompson (Unit One Studio’s) and Talon Payne (Gallow Wood Media)
Last weekend we finished tracking all the vocals and vocal overdubs for the new Kaine album at Gallow Wood Media with Talon Payne. The remaining parts to be recorded are the keys from Heidi Crowell. The album is currently being edited and mixed behind the scenes and will be ready for release soon. Liam and Rage be discussing the songs on the album on the forthcoming Podcast episode.
I thought it would be a good time to give an update on where we are at with the new Kaine album. To provide a little context to where we are with the new record, we actually started writing some of the material way back in 2019, while we were working on Reforge The Steel. The intention was at that time to have the album written and recorded with a 2020 release. Unfortunately, due to COVID-19 outbreak, any further writing and recording sessions were difficult as we went in and out of lockdown and restrictions and rules were constantly changing. We did our best with it and managed to finish most of the writing for the album earlier this year.
In May this year we started tracking the album at last, and we are close to completing tracking now. This is a very different album to Reforge The Steel, it has a lot more Thrash and Speed Metal influences on this record and a larger contribution from the other members of the band who have written many of the songs and lyrics for this record. Reforge The Steel was written almost immediately after A Crisis of Faith and is the closest thing to a solo album I have done, purely due to the fact the guys were new to the band, and we had to turn around a new album to relaunch the band as quickly as possible.
Another thing we have bene juggling is a new EP for our Patreon subscribers. This will be a CD exclusive to those backing us on the platform for £3 or more. This is also delayed for the same reasons as the album, however we are making good progress and have rehearsed and worked on 4 of the 5 songs solidly over the past few weeks while also recording the new album and playing shows at The Smokehouse in Ipswich and the B2 in Norwich. The 5 EP songs are again very different from what’s on the album and represent a heavier direction for the band.
We have some backing vocals still to record for the new album, potentially a few vocal over dubs, we have keys being performed by a soon to be announced guest, and we still need to finalize artwork for the record but the bulk is recorded. The album still needs to be mixed, but there has been a change in the production team for this record with Wayne Thompson (Unit One Studio’s) tracking and making edits to the album, Talon Payne (Gallow Wood Media) tracking the vocal element and done further edits to the existing instrumental takes to the record, with the overall production now being handled by myself. This has resulted in a different tone and sound from the past two releases. The change has come about by the previous producer now being out of the music business. It also made sense for the band to stay in Essex while COVID-19 was still a major issue, allowing us to minimalize the risk and travel during the period.
The summarise, the album will be out in the new year along with the new EP shortly after. There will be no pre-order for this record.
Rage Sadler will continue tracking vocals for the new album with Talon Payne at Gallow Wood Media in Essex today. Rage is fresh off a gig in Alton last night and will be working to complete as much of the tracking as possible. Kaine will also be back at Unit One tomorrow to begin the rehearsals for the new EP ahead of the recording sessions.
Kaine have booked in some last minute album recording sessions, this time with Gallow Wood Media to start working on the vocal tracking for the album following their gig cancellation today. Kaine were due to play an NWOBHM event at the Queens Hall, Nuneaton which fell through due to poor ticket sales, the second time the event has been cancelled.
Kaine will start the vocal tracking with Talon Payne of Gallow Wood Media, the band worked with Talon on their most recent EP as well as the definitive edition of Reforge The Steel, The Waystone EP and the Reforge The Steel and Kaine X live albums from 2019.
We’re proud to announce that we have released our brand new EP. You can pre-order the shirt/CD from here.
Recorded live at a streamed show at The Smokehouse, Ipswich from December 2020, the new Kaine EP contains 12 tracks and features songs from Reforge The Steel and The Waystone EP. Editing and additional recording took place at Gallow Wood Media between December 2020 and March 2021.
Two separate mixes are available for this EP. released April 15, 2021
Gallow Wood Mix (Mixed, Edited and Mastered by Gallow Wood Media) Produced by Talon Payne Additional vocals by Talon Payne
Twisted Illusion Mix (Mixed, Edited and Mastered by Matt Jones) Produced by Matt Jones Additional Vocals by Matt Jones
Kaine are Rage Sadler: Vocals, Rhythm Guitar Liam Etheridge: Drums, Backing Vocals Toby Woods: Lead, Rhythm Guitars and Backing Vocals Isaac Healy: Bass
All music written by Etheridge/Healy/Sadler/Woods apart from Monument (Etheridge/Healy/Murch/Sadler/Woods) all lyrics by Sadler, all solos by Woods apart from Master of Mankind 1 (Sadler)
Kaine has finally recorded all of the scratch tracks and is now ready to book into the studio to begin recording their 5th album, and the second from the “Reforge The Steel” line-up of Sadler/Etheridge/Woods/Healy. The album will have 9 new tracks written by all members of the band. The album has been postponed several times due to the Covid-19 pandemic, however the band is hopeful that the album can be recorded without further delay with vaccination rates increasing and the infection rates decreasing across the board in England.
The scratch tracks are the base tracks the band will record to in the studio, so its important that these are absolutely accurate to make the recording process as smooth and accurate as possible.
On the EP, which was recorded by back in December, the second version has finally been mixed and the release is now ready to be printed to CD. The EP will contain 2 versions, the first being the “Gallow Wood” mix by Talon Payne and the second is the “Twisted Illusion” mix by Matt Jones with both mixes being very different from one another.