We finished the recording of the vocals last night with Talon Payne at Gallow Wood Media for the Falling Through Freedom EP. This means the EP will now be edited/mixed and mastered and released ASAP. The EP will be exclusive on CD to Patreon supporters paying £3 and up. Toby Woods and Talon Payne have again provided backing vocals, with Isaac Healy contributing for the first time to the backing vocals in drummer Liam Etheridge’s absence through injury.
On top of that we have made progress with the delayed 21′ Patreon EP with the artwork closing in on it’s final stages which can be viewed here. The vocals for the EP will be recorded on November 25th in what will hopefully be the last recording session. These sessions will take place at Unit One.
Rage will be heading to Gallow Wood Media to record the vocals for the Falling Through Freedom EP. The EP will be a Patreon exclusive on CD and will be part of a multi-disc set to celebrate 10 years of the album release. The release will contain 5 tracks with two songs which were left off the original album. This will hopefully be the last recording session for the EP, which will mean the EP can then be edited, mixed and mastered before release. The CD ill have new artwork, as will the 2022 Patreon shirt. You can grab yours by joining Patreon for £3 or more a month here.
Rage will be heading over to Gallow Wood Media on Sunday (13th) to complete the recording of the Falling Through Freedom EP vocals and Unit One Studios on the 25thfor the 2021 EP. These will hopefully be the final recording sessions for both Patreon EPs.
The 2021 EP will contain 5 brand new songs not included on the recent album After Extinction and the Falling Through Freedom EP will be re-recordings of 5 songs to celebrate the release of that album 10 years ago which will include two songs, not on the original album. These will only be available on CD through Patreon. You can get both from £3 here.
On Friday the drums were recorded for the Falling Through Freedom EP. The EP which will be released as part of a Patreon exclusive set to celebrate 10 years of the debut album, will contain new artwork and two songs not on the original album, and three songs from the album re-recorded with the current line-up. Liam recorded the drums with Talon Payne at Gallow Wood Media. Both Patreon EPs have been delayed due to the Covid-19 restrictions over the last few years pushing the new album back and we’re currently working through the backlog.
The album has made some progress in recent weeks with the addition of keys and some last-minute changes to some of the vocals. The reason this album has been more complicated than previous releases is it has been recorded between two studios (Unit One and Gallow Wood Media) and both studios have had a hand in the editing process whereas I and the band have overseen the mixing process in a more involved way than previous releases. It’s not where our expertise is, but due to the UK Lockdowns over the COVID-19 pandemic, we had to work in this way. This has also meant the costs associated with the album are much greater than our previous releases. Broadly speaking the project is almost finished and we are sorry about the delay.
Kaine 21’ EP
All the instruments have been recorded, I am in the final stages of finishing the lyrics before I book in vocal recording sessions. This EP contains 5 brand new songs and has been delayed largely because of the backlog to do with the new album. So far all of the recordings have taken place at Unit One Studios and no editing or mixing has taken place.
Kaine 22’ EP – Falling Through Freedom Anniversary Box Set
We have finished recording all the bass and guitars for the new EP at Gallow Wood Media, with Liam currently working on what he would like to do with the drums. This EP will be included in the anniversary set of the album, which will include the “demo” album, recorded by the 2011 line-up, the original 2012 album, the 2016 remaster, and the new EP.
Lillian Axe and Riot Act Tour
I have also been very busy working on the tour. I am pleased to say the transport and hotels are now all booked up. In terms of crew, Alex Odinson and Charles Franklin will be handing roadie duties which include everything from loading in, to providing tech support, looking after merchandise, and recording video footage of the gigs.
All t-shirt pre-orders have now been sent out with signed posters. In recent weeks I have written to a number of our Bandcamp buyers via the post with invitations to the tour, I have been using our emailing lists to send our targeted emails and videos to promote the events and obviously running an extensive social media campaign. I have also been supporting Lillian Axe with their social media campaign.
We will be using this tour to promote our most recent album Reforge The Steel, which was released just before the Covid-19 pandemic and this restricted the number of gigs we could do to promote it.
Opportunities like this do not come around often, and whether or not we get this kind of opportunity again depends on the success of this tour, which is why I am working flat out to try and make every show a sell-out. You can get tickets from here.
Kaine guitarist/vocalist Rage Sadler has completed the tracking of the 22′ EP guitars for the Falling Through Freedom anniversary set and remaining vocals for the new album After Extinction. These were completed with Talon Payne and Gallow Wood Media yesterday.
The bands new album is close to completion, on the 21′ Patreon EP the lyrics are being finalised ready for recording the vocals, and with the 22′ EP all that is left to track is the drums and vocals. All three releases have been delayed due to the backlog caused by the Covid 19 Pandemic.
Kaine have began tracking the Falling Through Freedom EP for the 2022 Patreon Package. The EP will feature 5 songs, two of which did not make the original album as part of it’s tenth anniversary release. The guitars and bass were tracked with Talon Payne of Gallow Wood Media on Sunday. The anniversary release of the album will be part of a 4 disc set, and will include a t-shirt and brand new EP. You can grab your copy here.
We’ve recently ran into a few issues with the new album which has caused some delays. Unlike previous records which were done in one studio, with one producer and over a short period of time, After Extinction has been a totally different process largely due to the Covid restrictions which have delayed the writing, rehearsals and recording of the album significantly over the past two years.
We out of necessity have tracked the album across two studios (Gallow Wood Media and Unit One) with Talon Payne and Wayne Thompson contributing to the recording, production and editing of the album while we have been mixing the album ourselves and with advice from an external studio. I have overseen the whole project between managing the day-to-day business of the band and my day job. We have also been back on the road gigging with Neverworld and Planet Fatale which has meant much of my free time has been focused on making those shows a success on top of looking after the new album project.
Recently this was pushed back when there was a hardware failure has resulted in further delays to the production after a handful of songs had been mixed, and between further revisions and contributions of the keys from Heidi Crowell. This hardware issue has now been resolved and we are now moving forward with the album release again.
So, while the songs have been tracked and are sounding great in the raw, we do need more editing and changes as we go through the mixing process to give this album the best overall sound possible.
We debuted a fair chunk of the songs like since 2020 and many will hear that this is a completely different direction from our previous releases and represents an overall change for the band which we have matched with our new stage aesthetics and our brand-new logo. The new album has a march harder edge than the previous and is an album more influenced by our Speed Metal origins as opposed to anything really rooted in the NWOBHM movement which we had moved towards during The Waystone period of the band.
That is not to say we have lost the melodic stuff at all, there is a ton of that on the new record, but the music overall and the subject matter is much more in alignment with what is happening in the world right now rather than being mostly influenced by the 1980’s. It is a Metal record, and if anything, our least mainstream sounding record, and probably our least NWOTHM sounding album and production, although it is not as modern influenced (or progressive) as the material on Crisis of Faith and a lot more refined than out debut release, I think the best way to summarize it is it is our heaviest and angriest release yet.
Lyrically we have touched on everything from battling Alzheimer’s disease, the culture war, drug addiction to the decline of western civilization and the evils of greed right through to the negative impact the existing Governments over-building policies have had on our environment. It is a bit more relevant lyrically than our past records I would say, it may upset a few people, but we have tried to keep it as balanced as possible.
While the album has been slow to put together, we have soldiered on with the 5 new songs for the Patreon 21’ EP having recorded the bulk of those and started rehearsals for the 22’ EP material, oh which the band has now learned 4 of the 5 songs on that release so substantial progress has been made. The 21’ EP was delayed due to Covid restrictions and the band having to focus on the new album release.
The 21’ EP is most definitely much heavier than the new album in places, but also has the most diverse range of songs. It is influenced by Speed/Thrash/Death Metal but there’s also a Sabbath inspired track on there and a song mocking industry created “alternative” bands that have come straight off a production line but sold as an organic thing.
Anyhow I thought I would issue this update on just where we are at with the 3 releases which we fully intend to get out this year.
We are pleased to unveil our brand-new artwork, and album title, for the new Kaine record to be released later this year. The artwork is again by Silencer8 who has designed every one of the band’s album covers since the debut album in 2012.
After Extinction will include 9 brand new tracks written and performed by the same line-up which recorded 2019’s Reforge The Steel, the first time the same line-up has appeared on back-to-back releases from the band. More details will be revealed at a later date.
Appearing on the record:
Rage Sadler: Lead Vocals and Rhythm Guitars
Liam Etheridge: Drums and Backing Vocals
Toby Woods: Lead/Rhythm Guitars and Backing Vocals
Isaac Healy: Bass Guitar
Heidi Crowell: Keys and Synths
Talon Payne: Backing Vocals
Kaine with Wayne Thompson and Talon Payne
Recorded by: Wayne Thompson (Unit One Studio’s) and Talon Payne (Gallow Wood Media)